宋代婴戏图绘画与磁州窑婴戏纹饰比较研究

发布时间：2018-06-06 07:00

本文选题：宋代 + 婴戏图　；参考：《景德镇陶瓷学院》2014年硕士论文

【摘要】：宋代是我国历史上经济、文化、艺术最为繁荣的时代之一，各民族之间的互相交融、接触，促进了经济、文化、艺术的不断发展，也很大程度上接受了汉民族文化，并取得了出色的成就。在文化艺术方面，婴戏题材绘画作为我国传统绘画史上一个特殊的题材绘画，，从古至今一直活跃在人物画的范畴之中，并在陶瓷绘画、书画、版画等不同领域都得到了表现。本课题通过对婴戏题材的审美特征加以分析，从不同视角、不同专业层面研究宋代婴戏题材纸质画与婴戏题材陶瓷绘画的比较，其中，为了研究问题的便利性，在研究宋代婴戏题材在陶瓷绘画方面的运用时，以代表宋代制瓷水平的典型窑口——磁州窑为例。通过对这两者的比较研究，有助于进一步了解婴戏图发展历史、审美特征，从而提升对婴戏题材的美学认识。
[Abstract]:The Song Dynasty was one of the most prosperous times of economy, culture and art in the history of our country. The blending and contact among the various nationalities promoted the continuous development of economy, culture and art, and to a great extent accepted the Han nationality culture. And has made outstanding achievements. In the aspect of culture and art, as a special subject painting in the history of Chinese traditional painting, infant play painting has been active in the category of figure painting since ancient times, and has been shown in different fields such as ceramic painting, calligraphy and painting, printmaking and so on. By analyzing the aesthetic characteristics of infant drama, this paper studies the comparison between paper painting and ceramic painting in Song Dynasty from different perspectives and different professional levels, among which, in order to study the convenience of the problem, In the study of the use of infant drama in ceramic painting in Song Dynasty, the typical kiln mouth-Cizhou kiln, which represents the level of porcelain production in Song Dynasty, is taken as an example. Through the comparative study of the two, it is helpful to further understand the development history and aesthetic characteristics of infant play, thus to enhance the aesthetic understanding of the theme of baby play.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

【参考文献】