汲古得今融通好己—刍议工笔画的当代转换与我的创作方法

发布时间：2018-06-06 06:40

本文选题：工笔画 + 转型　；参考：《天津美术学院》2015年硕士论文

【摘要】：中国工笔绘画经过历代画家的追求与传承,为中国艺术史的发展积累了丰厚的成果。自2 0世纪社会语境的变化以及东学西渐后写实性绘画的深入发展,中国传统工笔画也面临着时代的选择与面貌的变化。当下,中国当代工笔画也已经过几代人的探索,呈现着具有代际的特征与风格。工笔画的发展也并非一味对于传统临摹复制,而是需要对传统做出创造性的继承。本文试图从工笔画的历史演变与五四运动以来的新中国工笔画面貌,以及近三十年工笔画的新发展试论工笔画的当代探索,并结合自己的创作来谈自己对于工笔绘画的当代转换理解和关于创作实践的思考。
[Abstract]:Chinese fine brushwork painting has accumulated rich achievements for the development of Chinese art history through the pursuit and inheritance of painters of all dynasties. Since the change of social context in the 20th century and the deep development of realistic painting after the development of East Learning and Western painting, Chinese traditional meticulous painting has also been faced with the choice of the times and the change of its appearance. At present, Chinese contemporary fine brushwork has been explored for several generations, showing intergenerational characteristics and style. The development of fine brushwork is not to copy the tradition, but to inherit it creatively. This paper attempts to discuss the contemporary exploration of fine brushwork from the historical evolution of fine brushwork and the appearance of New China's fine brushwork since the May 4th Movement, as well as the new development of meticulous brushwork in the last 30 years. Combined with their own creation to discuss their contemporary transformation of fine brush painting understanding and thinking about creative practice.
【学位授予单位】：天津美术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

【参考文献】

汲古得今 融通好己—刍议工笔画的当代转换与我的创作方法

汲古得今融通好己—刍议工笔画的当代转换与我的创作方法