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台湾中国文化大学漆画多样化教学模式研究

发布时间:2018-06-06 09:43

  本文选题:漆艺 + 漆画 ; 参考:《新疆师范大学》2017年硕士论文


【摘要】:漆艺作为一种传统的制作工艺技术,其历史可以上溯到7000年以前,可以说它比较全面的见证了我国历史文明中的各个时期。而漆画是属于东方民族(中国、日本、韩国、越南,原则上可称之黄皮肤黑头发)的特有画种,已无容置疑。其早被西方人尊称为“永恒之画”,无论是从其历史的久远性还是从画本身具有的收藏性来讲,都是如此,所以被定义为与东方民族文明发展等同的最佳艺术。笔者自2015年前往台湾中国文化大学担任一学期的交换生,期间曾选修翁美娥教授在美术系所开授的漆画课程,对其深感兴趣。在翁教授热诚地教导之下,笔者逐渐了解到文大美术系漆画课程规划的艰辛过程,以及许坤成主任和翁美娥教授不辞辛劳地带领漆画课学员们从事国内外无数次学术交流之事,让笔者亲身感受到中国文化大学美术系对漆画教育的重视。在中国文化大学美术系教授许坤成与翁美娥所创立的“后立体画派”与“BLING·流线”漆画派中,笔者又对艺术创作的认知提升了一个新的高度。故此,与翁教授多次地讨论后,笔者希望能以《台湾中国文化大学漆画多样化教学模式研究》作为撰写论文的题目。
[Abstract]:Lacquer art as a traditional production technology, its history can be traced back to 7000 years ago, it can be said that it witnessed the history of China's various periods of civilization. But the lacquer painting belongs to the oriental race (China, Japan, Korea, Vietnam, in principle can be called yellow skin black hair) unique painting, has no doubt. It has long been regarded as "eternal painting" by westerners, both from its long history and its collectivity, so it is defined as the best art equivalent to the development of oriental national civilization. In 2015, the author went to Taiwan's China Culture University as an exchange student for one semester. During that time, she took the lacquer painting course taught by Professor Weng Mee in the Fine Arts Department and was deeply interested in it. Under the fervent teaching of Professor Weng, the author gradually learned about the arduous course planning of lacquer painting in the Fine Arts Department of Wen University, as well as the painstaking efforts made by Director Xu Kuncheng and Professor Weng Mei-E to lead the students in lacquer painting courses to engage in numerous academic exchanges at home and abroad. Let me personally feel the importance of lacquer painting education in the Fine Arts Department of China Culture University. In the "post-stereoscopic painting school" and "BLING streamline" lacquer painting school founded by Xu Kuncheng and Weng Mei-e, professors of Fine Arts Department of China Culture University, the author's cognition of artistic creation has been raised to a new height. Therefore, after many discussions with Professor Weng, the author hopes that the research on the diversified teaching mode of lacquer painting in Taiwan Culture and Culture University of China can be taken as the topic of writing the thesis.
【学位授予单位】:新疆师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J213.9-4;G642

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