“图史并传”:品读一种独特的苏轼图像

发布时间：2018-06-06 10:03

本文选题：艺术史 + 美术图像　；参考：《艺术百家》2017年02期

【摘要】：宋代以降,多有以苏轼为题的人物画创作,图像中的苏轼,或为山野渔樵,或为文人雅士,呈现出旷达的情怀和高洁的格调。传为明代张路所画的《苏轼回翰林院图》则别出心裁地描绘身着官服的苏轼形象,述说了一段历史故事,成为苏轼图像母题的特例。值得注意的是,图像呈现了身份有别的两位男性人物,而画题的强烈暗示以及人物造型的艺术化表现,又使我们极易将位于画面主要位置的人物解读为苏轼。相对于图像的暗示,史料、苏诗的具体语境则蕴藉了更为丰富的信息,与画家的笔墨共同建构了"忠义之报,死生不移"的苏轼形象。
[Abstract]:In the Song Dynasty, there are many figure paintings with Su Shi as the title, Su Shi in the image, or for the mountains, Yuqiao, or literati elegant, showing broad-minded feelings and the style of Gao Jie. Su Shi's return to Hanlin Academy by Zhang Lu in Ming Dynasty depicts Su Shi's image in official clothes, tells a historical story, and becomes a special case of Su Shi's image motif. It is worth noting that the image presents the identity of two other male characters, and the strong hint of the painting title and the artistic expression of the character shape make it easy to interpret the figure in the main position of the picture as Su Shi. The specific context of Su's poems contains more abundant information than the implied images, and together with the painters' pen and ink, he constructs Su Shi's image of "the newspaper of loyalty and righteousness, the death of life is not moved".
【作者单位】：东南大学艺术学院;
【分类号】：J205

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