浅析中国山水画色彩的应用与情感表达

发布时间：2018-06-06 12:53

本文选题：情感 + 色彩　；参考：《哈尔滨师范大学》2013年硕士论文

【摘要】：在绘画当中，中国是一个对于色彩运用有着悠久历史和丰富经验的民族。山水画作为中国传统绘画中的一个分支，因其自身所特有的思想内涵，以及技法技巧和绘画工具的特殊性，促成了山水画色彩在表现中的独树一帜。色彩之所以成为绘画语言中必不可少的重要元素是因为其独特的艺术表现力。在创作一幅作品时，色彩起着至关重要的作用，它可以使画面更真实更生动的反映物象，也可以丰富深刻的表达作者的内心情感。对于画家自身而言，由于个人内心思想感情不同，对于色彩的感受和认识也会有一定的差异，从而影响了绘画风格的多种多样。本文以中国传统绘画中的山水画为出发点，集中阐述色彩的运用及所起到的情感作用。表达思想感情是所有个体能动地自觉地向外界传递自我意识，体现自我价值的一种需求。画家在通过绘画表达思想感情的时候，，所运用的手段是多种多样的，这里，色彩作为一种有效手段，不可或缺又非常重要，它是让画家和观画者最容易达成共鸣的一种艺术语言之一。就中国山水画传统的赋色来说，最初，它是与哲学意义上的五原色理论有着密切关系的，而青，赤，黄，白，黑又不仅仅代表颜色这一单一概念，它们表达的是万象万物，具有象征性。后来，中国山水画色彩又发展出了“随类赋彩”“墨分五色”等重要理论，它们与传统五色原理有着一脉相承的关系。到了中国近现代，也就是在改革开放以来，西方艺术思想的涌入，借鉴与学习西方成为风潮，自此中国山水画向着多元化的方向发展，其色彩观也必然呈现多元。尤其是西方写实主义绘画的色彩应用，使中国传统色彩观的意象性有了理性的思考，长期的实践检验必然会出现更多更新的表现形式。这些新的色彩形式的出现和应用从而提供给画家更多表现自我意识，传达思想情感的途径。作为在中国哲学思想中有着特殊地位的山水画，其色彩在演绎和发展过程中也遵循着自己特有的规律法则。反过来，这些规律和法则也给色彩打上了深深地中国烙印，成为一种具有鲜明中国民族特色的，体现中国传统文化的色调和风采。文章就以此据点，以山水画色彩观的形成和发展为脉络，集中探讨色彩的情感表达。笔者认为，随着中西绘画的大交流，大融合，山水画色彩观的发展不仅会为山水画的发展注入了新的鲜血和生机，更会促进整个中国画的繁荣，让中国画在世界画坛中扎稳脚跟。
[Abstract]:In painting, China is a nation with a long history and rich experience in color application. Landscape painting as a branch of traditional Chinese painting, because of its own unique ideological connotation, as well as the special skills and painting tools, contributed to the unique color of landscape painting in the performance. Color becomes an essential element in painting language because of its unique artistic expression. Color plays a vital role in the creation of a work, which can make the picture more real and vivid, but also can enrich the profound expression of the author's inner feelings. For the painter himself, because of the different inner thoughts and feelings, there will be some differences in the feeling and understanding of color, thus affecting the variety of painting styles. Based on the landscape painting in traditional Chinese painting, this paper focuses on the application of color and its emotional function. Expressing thoughts and feelings is a demand for all individuals to transmit their self-consciousness to the outside world and reflect their self-value. When painters express their thoughts and feelings through painting, the means used by them are various. Here, color, as an effective means, is indispensable and very important. It is one of the easiest artistic languages to resonate with painters and watchers. As far as the traditional color of Chinese landscape painting is concerned, at first, it was closely related to the five primary colors theory in the philosophical sense, and green, red, yellow, white, black not only represented the single concept of color, but they expressed everything. Symbolically. Later, the color of Chinese landscape painting developed some important theories, such as "painting with different colors", "ink divided into five colors" and so on, which were closely related to the principle of traditional five colors. In modern China, that is, since the reform and opening up, the influx of Western artistic ideas, learning from the West has become a trend, since the development of Chinese landscape painting towards the direction of diversification, its color view is bound to be diversified. In particular, the color application of Western realistic painting makes the image of Chinese traditional color concept have rational thinking, and the long-term practical test will inevitably lead to more updated forms of expression. The emergence and application of these new color forms provide more ways for painters to express their self-consciousness and convey their thoughts and feelings. As a special position in Chinese philosophy, the color of landscape painting follows its own law in the process of deduction and development. On the other hand, these laws and rules also give color a deep Chinese brand, become a distinctive Chinese national characteristics, reflect the traditional Chinese culture tone and style. Based on this position, this paper focuses on the emotional expression of color in the context of the formation and development of color view of landscape painting. The author believes that with the great exchange and integration of Chinese and Western painting, the development of landscape painting color view will not only inject new blood and vitality into the development of landscape painting, but also promote the prosperity of the whole Chinese painting. Let the Chinese painting in the world painting world firm heel.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】