大众审美思维对油画创作影响研究

发布时间：2018-06-06 15:22

本文选题：中国油画发展 + 审美思维发展　；参考：《哈尔滨师范大学》2014年硕士论文

【摘要】：自从明代西方油画传入中国并与中国传统文化相互融合之后，油画已经发展了400多年。改革开放之后，随着经济、社会的全面发展，大众的审美思维开始呈现多元化发展。中国油画创作也随之受到影响，呈现多元化发展。当前，新生代艺术家的人文精神，波普和反讽艺术以及多媒体技术都对油画创作的发展产生了重大影响。另外，本文在立足于前人研究的基础上，对于大众审美下中国油画创作的体系建构进行归纳总结，并利用自身经验，详细阐述大众审美思维对于油画创作的影响。全文共分五个章节。首先在绪论中介绍本论文重要性的研究意义与学术价值、国内外研究现状分析、研究方法和研究目的以及研究思路与论文结构等。第二章分为两节，首节从油画传入中国的发展历程入手，对于中西方文化碰撞，以及建国初期和当前油画创作受到大众审美的影响进行详细分析；第二节则从大众审美思维发展出发，对于当前消费时代的社会特征和大众审美思维发展情况进行综合性归纳。第三章同样分为两节，第一节从当代油画创作背景入手，对于文化背景、油画创作者身份和油画生态运行机制三个方面进行分析；第二节则对于当前油画创作的多元化特征进行归纳，并从人文性、波普和反讽艺术、现实主义和多媒体视角四个方面阐述。第四章立足于二、三两章基础之上，进行思考，，对于当前大众审美之下，中国油画创作的主要特征：批判性和包容性、超越性和世俗性、民族化和全球化等内容进行总结。最后为全文结论。
[Abstract]:Oil painting has been developed for more than 400 years since it was introduced into China and merged with Chinese traditional culture in Ming Dynasty. After the reform and opening up, with the overall development of economy and society, the aesthetic thinking of the masses began to show diversified development. Chinese oil painting is also affected, showing diversified development. At present, the humanistic spirit of the new generation artists, pop and irony art and multimedia technology have a great impact on the development of oil painting. In addition, based on the previous studies, this paper summarizes the system construction of Chinese oil painting creation under the popular aesthetics, and makes use of its own experience. The article is divided into five chapters. First of all, the significance and academic value of this thesis are introduced in the introduction. The present research situation, the research methods and the purpose, the research ideas and the structure of the thesis are analyzed at home and abroad. The second chapter is divided into two sections, the first section from the oil painting into China's development process, the collision of Chinese and Western cultures, as well as the initial and current creation of oil paintings by the public aesthetic impact on a detailed analysis; The second section summarizes the social characteristics of the current consumption era and the development of the mass aesthetic thinking from the perspective of the development of popular aesthetic thinking. The third chapter is also divided into two sections, the first section from the background of contemporary oil painting creation, for the cultural background, oil painting creators identity and oil painting ecological operation mechanism three aspects are analyzed; The second section summarizes the pluralistic features of current oil painting creation, and expounds from four aspects: humanism, pop and irony art, realism and multimedia perspective. The fourth chapter is based on two, three or two chapters on the basis of thinking, for the current popular aesthetic, the main characteristics of Chinese oil painting: critical and inclusive, transcendent and secular, nationalization and globalization, and so on. The final conclusion is the full text.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

【参考文献】