“痕迹”系列创作研究

发布时间：2018-06-06 16:44

本文选题：痕迹 + 表现形式　；参考：《延边大学》2014年硕士论文

【摘要】：本文主要研究人为造成或者自然形成的痕迹。包括构图,色彩,纹理等。利用在油画创作里,创造出新语言和新的表现形式,将痕迹的纹理、色彩、构图、肌理等元素的相互组合以及作用构成了一副油画作品。将这些元素放入到绘画表现的发展脉络中来考量,痕迹美在油画作品中表现形式的意义展开叙述。第一章,讲诉了研究内容主要以情感表达和创作之间的关系。研究对象的意义,探讨了痕迹在油画创作中作为再现和表现手段的意义。第二章,通过对痕迹美的分析形式因素进行了阐述,并从油画自足性的诉求入手,探讨了构图、颜色、肌理、笔触等作为形式的意义,也进一步讨论的局限性和困难的形式主义的理论性能。第三章,痕迹在绘画创作中表现形式,从构图运用和色彩运用的角度来重新组织到创作里,以往不同的构图,新的形式表现和色彩运用。再次理解油画作品同事物之间的关系,阐述了构图和颜色既是一种油画自身难离的显现,又同画家对客观事物之间交织关系的体现和感悟。第四章,痕迹系列创作研究之分析里边,简单讲诉了刷底料的材料比例,肌理的制作,绘制过程以及结束。
[Abstract]:This paper mainly studies the traces of man-made or natural formation. Including composition, color, texture and so on. In oil painting creation, new language and new form of expression are created, and the trace texture, color, composition, texture and other elements are combined and acted together to form a oil painting work. These elements will be put into the development of painting context to consider, trace beauty in the oil painting form of expression of the significance of the narrative. Chapter one, the main content of the research with emotional expression and creation of the relationship between. The significance of the research object, the significance of trace as a means of reproduction and expression in oil painting creation. Chapter two, through the analysis of the trace beauty of the form factors are expounded, and from the self-sufficiency of the oil painting, the paper discusses the composition, color, Texture, brushstroke and other forms of meaning, but also further discuss the limitations of the theoretical performance of difficult formalism. Chapter III, traces in the form of painting, From the perspective of composition and color use to reorganize into the creation of the past different composition, new forms of expression and color use. Understanding the relationship between oil painting and things again, expounding that composition and color are not only an inextricable manifestation of oil painting itself, but also the embodiment and perception of the intertwined relationship between objective things with the painter. Chapter four, In the analysis of trace series, the material proportion, texture, drawing process and end of brushing substrate are briefly described.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

【参考文献】