明清国画中的猫画研究

发布时间：2018-06-06 21:29

本文选题：猫画 + 明清　；参考：《杭州师范大学》2013年硕士论文

【摘要】：猫作为家庭宠物已经有长久的历史,古埃及人饲养猫来捕捉老鼠及其他啮齿目动物等,从这时起,人与猫之间就建立起互利关系：猫获得了丰富的食物来源,人类则免除了啮齿动物的困扰。随着时间的推移,人类已经不再以捕捉老鼠为养猫的目的。而猫则更多地作为专门的宠物逐渐融入了人类社会,并于人类建立了特殊的关系。然而与庞大的饲养数量形成鲜明对比的是,对于猫,尤其是对于中国传统文化中的猫的研究及其匮乏。本文在大量查阅资料的基础上,对于流传至今的明清国画之中的猫所蕴含的文化价值进行了探讨。之所以将题目圈定在“国画”之中,是与明清时期十分流行的版画以及刚刚出现的油画等等其他绘画形式相区分,在中国传统绘画的范围内来探讨猫画。本文首先分析了目前猫的系统研究,特别是对于明清时期绘画之中的系统研究匮乏之原因。分析这一时期猫画作品的艺术特色,并进一步结合明清的社会环境和文化氛围,分析猫画的创造能够在此时达到历史上的高峰的主要原因。此后,本文将探讨中猫画中猫的品种与分类,并与其他动物画中被赋予的涵义进行比较,进一步揭示猫画长期以来在创作数量以及关注程度上处于劣势的文化根源。对于明清猫画的文化表征分析,将按照“院体画”和“文人画”两种风格分开讨论。分析将囊括猫画本身所具有的绘画艺术价值和作者意欲表达的政治或社会层面上的深意,通过剖析“猫”自身所蕴含的不同的文化意象,阐释人类对于猫的种种情感以及在这种小动物身上所投射的种种不同寓意的文化来源,以求可能还原作品本应具有的创作高度。最后,文章将对于本文涵盖的观点进行总结和概括,并对今后在此方面的研究所应关注的重点和方向提出笔者自己的见解。
[Abstract]:Cats have a long history as domestic pets. Ancient Egyptians raised cats to catch mice and other rodents, and since then, people have developed mutually beneficial relationships with cats: cats have a rich source of food. Humans, on the other hand, are free from rodents. Over time, humans no longer have the purpose of catching mice for the purpose of keeping cats. Cats, on the other hand, gradually integrate into human society as special pets and establish special relationships with human beings. However, in contrast to the large number of breeds, there is a lack of research on cats, especially cats in traditional Chinese culture. Based on a large number of references, this paper discusses the cultural value of cats in traditional Chinese painting of Ming and Qing dynasties. The reason why the title is delineated in "traditional Chinese painting" is to distinguish it from the very popular prints of the Ming and Qing dynasties, as well as other painting forms such as oil paintings that have just appeared. In the traditional Chinese painting to explore the scope of cat painting. Firstly, this paper analyzes the current cat system research, especially for the Ming and Qing dynasties painting in the lack of systematic research reasons. This paper analyzes the artistic characteristics of cat paintings in this period, and further combines the social environment and cultural atmosphere of Ming and Qing dynasties, and analyzes the main reasons why the creation of cat paintings can reach the peak in history at this time. This paper will discuss the variety and classification of cats in Chinese cat paintings, and compare with the meanings given to other animal paintings, and further reveal the cultural roots of the disadvantages of cats' paintings in terms of creation quantity and degree of concern for a long time. The analysis of the cultural representation of cat paintings in Ming and Qing dynasties will be discussed separately according to the style of "Yuan style painting" and "literati painting". This paper analyzes the artistic value of cat painting itself and the political or social meaning that the author intends to express, and analyzes the different cultural images contained in "cat" itself. Explain human feelings towards cats and the various cultural sources of different meanings projected on this small animal, in order to possibly restore the creative height of the work. Finally, This article will summarize and summarize the viewpoints covered in this paper, and put forward my own opinions on the key points and directions that should be paid attention to in this field in the future.
【学位授予单位】：杭州师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】