结合自身创作谈论对绘画中光线的认识与理解
发布时间:2018-06-07 01:15
本文选题:光线 + 明暗 ; 参考:《山东艺术学院》2017年硕士论文
【摘要】:优秀的绘画作品,就像音乐一样富有着节奏感,我认为在光线的范畴之内,音乐节奏的快与慢就等同于绘画作品中明暗的强与弱。这种绘画中的明与暗是区别于真实的现实生活的。因为光线作为众多绘画的形式语言之一,在美术作品中是包含着生活的真实并且具备艺术的再加工,是艺术美的范畴。艺术作品中的艺术美不仅来自现实生活,而且来自自然界的美。印象派美术作品中的光与色,中国山水画中意境的特定美感都是艺术家们研究自然,“外师造化”,“行万里路”的结果。所以,美术作品中的艺术美从根本上说,来源于人类的现实生活,来自对大自然的深切感受,是美术家对社会生活和自然界的审美体验物化形态【1】。也就是俗话说的“艺术来源于生活,但高于生活”。在画面中,光线不仅仅能够营造视觉中心,同时也是具有象征意义的。虽然形式与内容是互相融合、互相制约并且是不可分离的有机整体,因为无论是没有内容的形式,或是只有形式而没有内容的,都是没有意义的。但是在具体分析时,需要分别给予讨论和研究。尽管当下绘画已经开始从立体的、古典的有视觉中心的传统美,逐渐向平面的、无视觉中心的现代美转变,但无论哪种方式的转变都一定是为了最终的画面。
[Abstract]:Excellent paintings are as rhythmic as music, and I think that in the category of light, the rhythm of music is equal to the intensity and weakness of the light in the painting. The light and darkness in this painting are different from the real life. Because light is one of the formal languages of many paintings, it contains the real life and has the art of reprocessing in art works, is the category of artistic beauty. The beauty of art in works of art comes not only from real life, but also from nature. The light and color in the Impressionist art works and the special aesthetic feeling of the artistic conception in the Chinese landscape painting are the result of the artists' study of nature, "the creation of the outside teacher" and "the Wanli Road". Therefore, the artistic beauty in the art works is fundamentally derived from the real life of human beings, from the deep feeling of nature, and is the materialized form of the aesthetic experience of the artist to the social life and the nature [1]. As the saying goes, "art comes from life, but above life." In the picture, light not only creates a visual center, but also symbolizes it. Although the form and the content are intermingled, restricted and inseparable from each other, there is no meaning either in the form without the content or in the form without the content. But in the concrete analysis, need to give discussion and research separately. Although the present painting has begun to change from three-dimensional, classical traditional beauty with visual center, gradually to the plane, no visual center of the modern beauty, but no matter which way the change must be for the final picture.
【学位授予单位】:山东艺术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J206
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