论漆画材料的间接性表现方法

发布时间：2018-06-07 06:49

本文选题：间接性表现 + 材料属性　；参考：《江西科技师范大学》2014年硕士论文

【摘要】：进入二十一世纪后，社会形态与大众审美结构发生了巨大的变化。科学技术加速了材料的发展，同时也激活了绘画材料应用的新观念。由于材料种类的增加以及材料应用领域的交叉与多元，使得绘画进入一个新的历史时期，此时材料在绘画里的地位由以往的载体向主体地位演变，尤其对蜕变于优秀漆材料工艺的漆画来说，这个新时期的到来无疑是划时代的。材料的新观念不仅丰富了材料作为绘画语言的载体表达，而且由于漆画具有优越和丰富的材料应用系统以及材料自身由于历史沉淀赋予其丰富和深厚的精神文化内涵，所以使之成为具有独立语言功能和独立审美价值的绘画形式。材料在画面中的表现不仅体现了材料的自身美感，而且材料通过技法后隐藏间接显露精神文化价值，这是西方古典绘画的追求，同时也符合中国传统审美精神。西方古典绘画材料的间接性主要通过透明罩染技法隐藏直接裸露的色层而获得美感的一种表达，材料由于属性的转换而变得情感化，即由物质向精神的转变和升华。另外，经几千年之久中国传统漆工艺的技法的发展，通过打磨和罩染并间接隐藏材料，材料因工艺性的技法处理表面达到了一种温润亲近和含蓄沉着的效果，这种对材料表现的手法实际是一种间接的过程。本文主要通过对材料间接性手法的阐释，，说明间接手法给漆画带来视觉美和精神美。材料的间接性的表达让我们在所观所感中领悟了材料的美学价值，更让我们感受到了现代漆画艺术审美价值。
[Abstract]:After entering the 21 century, great changes have taken place in the social form and the aesthetic structure of the masses. Science and technology accelerate the development of materials, but also activate the new concept of painting materials application. Due to the increase of material types and the crossing and diversification of material application fields, painting has entered a new historical period, at which time the position of material in painting has evolved from the former carrier to the principal position. Especially for the lacquer painting of excellent lacquer material technology, the arrival of this new era is undoubtedly epoch-making. The new concept of material not only enriches the expression of material as the carrier of painting language, but also because lacquer painting has superior and abundant material application system and material itself is endowed with rich and profound spiritual and cultural connotation because of historical sedimentation. So it becomes a painting form with independent language function and independent aesthetic value. The performance of the material in the picture not only reflects the aesthetic sense of the material itself, but also shows the spiritual and cultural value indirectly through the hiding of the material after the technique, which is the pursuit of the western classical painting and conforms to the Chinese traditional aesthetic spirit at the same time. The indirectness of the western classical painting material mainly obtains a kind of expression of aesthetic feeling through the transparent mask staining technique to hide the directly exposed color layer. The material becomes emotional because of the transformation of the attribute, that is, the material changes and sublimates from the material to the spirit. In addition, after thousands of years of development of the traditional Chinese lacquer technology, through polishing and masking and indirectly hiding the material, the material has achieved a warm, closeness and implicit effect due to the technical treatment of the surface. This approach to material performance is actually an indirect process. Through the explanation of indirect material manipulation, this paper explains that indirect manipulation brings visual beauty and spiritual beauty to lacquer painting. The indirect expression of materials makes us understand the aesthetic value of materials and aesthetic value of modern lacquer painting.
【学位授予单位】：江西科技师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213.9

【参考文献】