浅析水彩人物画中的虚实关系

发布时间：2018-06-07 06:51

本文选题：水彩 + 人物画　；参考：《沈阳师范大学》2013年硕士论文

【摘要】：水彩人物画作为水彩画中最能体现时代精神和人文情怀的一种表现形式，由于不断从国外造型艺术和国内传统文化中汲取营养，因此已经受到国内外水彩画家的普遍关注。近些年，经过几代水彩画家的探索与努力，中国水彩人物画已有了长足的发展和繁荣。纵观国内外优秀的水彩人物作品，其艺术形象的生动塑造，画面的节奏韵律，色彩的绚丽和谐以及水彩艺术的特殊表现魅力等等，，都显示着一种超凡的视觉效果。这些都是画家技艺和观念的综合表现，也体现了画家对画面技巧的成熟把握。水彩人物画的创作是对立统一的，本文主要从水彩人物画技法理论中的一组对比关系即虚实关系这个方面来系统论述其在水彩人物画中的应用,将水彩人物画中的一些技法与相关理论结合，通过举例分析优秀人物画作品，系统论述虚实关系在人物造型中、空间中、色彩中、媒介中的艺术表现。
[Abstract]:Watercolor figure painting as a manifestation of the spirit of the times and humanistic feelings in watercolor painting has been widely concerned by watercolor painters both at home and abroad because of the continuous absorption of nutrition from foreign plastic arts and domestic traditional culture. In recent years, after several generations of watercolor painters' exploration and efforts, Chinese watercolor figure painting has made great progress and prosperity. Throughout the outstanding watercolor figures at home and abroad, the vivid creation of its artistic image, the rhythm of the picture, the color of the beautiful harmony and the special charm of watercolor art, and so on, all show a kind of extraordinary visual effect. These are the comprehensive performance of the artist's skills and concepts, but also reflect the artist's mature grasp of screen skills. The creation of watercolor figure painting is unity of opposites. This paper systematically discusses its application in watercolor figure painting from a group of comparative relations in the theory of watercolor figure painting techniques, namely, the relationship between reality and reality. Combining some techniques of watercolor figure painting with relevant theories, this paper systematically discusses the artistic expression of the relationship between reality and vanity in character modeling, space, color and media through the analysis of outstanding figure painting works.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】