对当代中国风景油画中写意精神的研究

发布时间：2018-06-09 06:02

  本文选题：当代 + 中国风景油画　； 参考：《重庆师范大学》2013年硕士论文

【摘要】：当代中国的风景油画发展呈现多样式、多风格的态势，而其中饱含写意精神的风景油画越来越受到人们的喜爱，逐渐发展成为实现油画民族化的主推动力。本文首先对中国风景油画发展的历史脉络进行了梳理，把握住中国风景油画发展的历史轨迹；其次，通过中国文人绘画的写意精神对中国风景油画的影响的研究，探索了写意精神在中国风景油画中的出现与发展的理论根源；再次，通过对当代中国风景油画中写意精神的综合陈述，揭示了饱含写意精神的当代中国风景油画的审美趋向，本文主要通过画面的构图布置、意境表达方式、主观表达方式、笔触与肌理的营造等方面对当代中国的具有写意精神的风景油画进行了阐述和审美分析，同时，结合部分优秀的艺术家的作品分析，指出了当代中国风景油画呈现写意精神的各种可行性方式。最后，本文指出了写意精神对实现当代中国风景油画本土化、民族化的必要性和重要性。并对寻求传统文人情怀在当代风景油画中的新发展提出了个人的见解与认识。本课题的研究，，意在承接前人的研究成果，对当代中国的风景油画进行再次的梳理和研究，试图寻找和总结出更多的规律性的东西，为以后从事中国油画写意精神相关研究者提供一定的参考与帮助，为进行中国风景油画民族化的实验者提供一定理论支持，对推进当代风景油画在本土的健康发展以及本土传统文化的开拓性承传和发展尽微薄之力。
[Abstract]:The development of contemporary Chinese landscape oil painting presents a multi-style, multi-style situation, and the landscape oil painting with the spirit of freehand brushwork is more and more popular, and gradually becomes the main driving force to realize the nationalization of oil painting. This paper firstly combs the historical context of the development of Chinese landscape oil painting, grasps the historical track of the development of Chinese landscape oil painting; secondly, through the Chinese literati painting freehand brushwork spirit to the Chinese landscape oil painting influence research, This paper explores the theoretical root of the emergence and development of freehand brushwork in Chinese landscape oil painting. Thirdly, through the comprehensive statement of freehand brushwork spirit in contemporary Chinese landscape oil painting, it reveals the aesthetic trend of contemporary Chinese landscape oil painting full of freehand brushwork spirit. This article mainly through the picture composition arrangement, the artistic conception expression way, the subjective expression way, the brushstroke and the texture construction and so on aspect has carried on the elaboration and the esthetic analysis to the contemporary Chinese landscape oil painting with the freehand brushwork spirit, at the same time, Combined with the analysis of some outstanding artists' works, this paper points out various feasible ways of presenting freehand brushwork spirit in contemporary Chinese landscape oil painting. Finally, this paper points out the necessity and importance of freehand brushwork to realize the localization and nationalization of contemporary Chinese landscape oil painting. And to seek the new development of traditional literati feelings in contemporary landscape oil painting put forward personal views and understandings. The purpose of this research is to carry on the research achievements of predecessors, combing and studying the landscape oil painting of contemporary China again, trying to find and sum up more regular things. To provide certain reference and help for the later researchers engaged in the Chinese oil painting freehand brushwork spirit, and to provide certain theoretical support for the experimenters of the nationalization of Chinese landscape oil paintings. To promote the healthy development of contemporary landscape oil painting in the local and local traditional culture of the pioneering inheritance and development of a modest contribution.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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本文编号：1999274