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西方现代绘画空间的形式拓展

发布时间:2018-06-09 12:03

  本文选题:现代绘画空间 + 形式拓展 ; 参考:《山东师范大学》2014年硕士论文


【摘要】:绘画是空间的艺术,从某种意义上说,西方绘画史就是一部围绕空间表现展开探索的历史,尤其是现代绘画对传统再现空间观念的革新和对纵深空间形式的拓展,成为绘画史上关于空间表现的一次伟大革命。西方现代绘画拓展出的多元空间形式深刻体现了现代主义艺术家们创造性的和独特、个性化的空间表现魅力。 本文从西方绘画的空间表现形式出发,提出了绘画空间由传统的单一的纵深形式向现代的多元化形式拓展之势,而视觉方式的转变以及时间维度的参与则构成了现代绘画空间形式发生拓展的两大重要因素。本文把现代绘画拓展出的空间形式总结归类成六种类型,这六种空间形式是以作品画面所呈现出来的空间特征(或挤压的扁平感,或分解的破碎感)来命名的,,比较明确地描述了西方现代绘画个性化与多元化的空间面貌。通过对这六种个性化空间的形式分析,尽可能深入地展现西方现代绘画围绕空间表现形式所进行的多元、自由的探索。论文共分四章探讨了西方现代绘画空间的形式拓展这一论题: 第一章是关于绘画空间概念的理解,以及自欧洲文艺复兴以来绘画的空间观念与空间形式的发展创造;第二章,比较阐述了传统绘画的纵深空间形式与现代绘画的多元空间形式,以模仿性再现为特点的传统绘画通过透视、明暗和色彩等手段实现纵深空间形式的建构,以创造性表现为特点的现代绘画由于观察方式的转变及时间维度的参与等因素促使空间表现走向多元化拓展之路;第三章,通过具体作品分析现代绘画空间拓展出的六种样式,包括以马蒂斯为代表的扁平空间、以毕加索为代表的分解重构空间、以杜尚为代表的四维空间、以蒙克为代表的扭曲空间、以达利为代表的矛盾空间和以萨利为代表的组合空间;第四章,主要从社会文化环境、艺术领域的“破界”、艺术家个人、艺术受众和艺术史五个层面总结西方现代绘画空间形式多元化拓展的价值意义。 西方现代绘画以对空间表现的各种探索之势,创造出多种个性化的空间形式,这不仅是时代文化与社会环境的产物,也是艺术家思想的结晶,不仅为绘画艺术增添了活力,满足和丰富了观众的审美需求,而且推动着绘画艺术史不断前进。
[Abstract]:Painting is the art of space. In a sense, the history of western painting is a history of exploration around space performance, especially the innovation of traditional reproduction of space concept and the expansion of deep space form by modern painting. To become a great revolution in the history of painting about the performance of space. The pluralistic space form developed by western modern painting deeply embodies the creative, unique and individualized space expression charm of modernist artists. Put forward the painting space from the traditional single depth form to the modern diversified form of the trend of expansion, and the change of visual mode and the participation of the time dimension constitute two important factors of the development of modern painting space form. This paper summarizes and classifies the spatial forms developed by modern painting into six types, which are named after the spatial features (or compressed flat feeling, or broken sense of decomposition) presented by the paintings. More clearly described the western modern painting personalized and diversified space. Through the analysis of the six forms of individualized space, this paper tries to reveal as deeply as possible the pluralistic and free exploration of modern western painting around the form of spatial expression. The thesis is divided into four chapters: the first chapter is about the understanding of the concept of painting space, and the development and creation of painting space concept and space form since the European Renaissance; the second chapter, The deep space form of traditional painting is compared with that of modern painting. The traditional painting characterized by imitation reproduction realizes the construction of depth space form by means of perspective, light and shade, color and so on. Modern painting characterized by creative performance, because of the change of observation mode and the participation of time dimension, promotes the space expression to diversify and expand. Chapter three, through the concrete works, analyzes the six styles of modern painting space. Including the flat space represented by Matisse, the decomposition and reconstruction space represented by Picasso, the four-dimensional space represented by Dushane, the distorted space represented by Monk. The contradiction space represented by Dali and the combination space represented by Sally. Chapter IV, mainly from the social and cultural environment, art field of "breaking the boundary", artists, This paper sums up the value significance of the diversification and expansion of the space form of modern western painting from the five aspects of art audience and art history. Western modern painting creates a variety of individualized space forms by exploring various forms of space expression. This is not only the product of the culture and social environment of the times, but also the crystallization of the artist's thoughts. It not only adds vitality to the painting art, satisfies and enriches the aesthetic needs of the audience, but also promotes the development of the history of painting art.
【学位授予单位】:山东师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J209

【参考文献】

相关期刊论文 前1条

1 张宾雁;宋岩峰;;西方绘画中的空间表现[J];文艺评论;2006年05期



本文编号:1999659

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