石涛绘画艺术审美研究

发布时间：2018-06-09 14:01

本文选题：石涛 + 绘画　；参考：《南京师范大学》2013年硕士论文

【摘要】：作为清初力主革新的个性派绘画大师,石涛杰出的绘画成就和理论成就对于清代中期以后,尤其是近现代画坛产生的巨大影响,恐怕是中国历史上其他任何一位画家都无以望其项背的。大陆学术界一般认为,现代意义上的“石涛研究”,始于二十世纪三十年代傅抱石先生发表的一系列关于石涛生平、身世等的考证文章,之后经过八十多年的发展,“石涛研究”在许多方面都取得了相当的成就。且随着新材料的继续发现和研究视角的转换,各方面的研究也逐步走向深入。本文选题为“石涛绘画艺术审美研究”,包含着双向的努力：一方面,以清初画坛为点,探讨明末清初画坛的基本审美趋尚、石涛迥异于画坛的审美理想及他在画作中所表达的基本艺术精神；另一方面,以史为线,将石涛置于整个绘画发展的历史中进行考察,结合石涛的绘画实践、绘画理论,探讨三百年来石涛形象的重构及与时代的审美映现,并且探讨石涛绘画理论的现代性呈现。这样通过点与线的交织,逐步勾勒出石涛的基本影像,从面上给人以清晰的认知。本文拟从四个方面展开论述：一是石涛所处时代环境的主流审美趋尚,主要涉及董其昌的“仿古”理论及“四王”的复古理念；二是探讨石涛在绘画艺术中基本的审美理想,包括“一画”论的审美原则、“师造化”的创作方法、“远尘”“脱俗”的审美心胸及“我只为我,自有我在”的艺术个性；三是从石涛个人经历及流传的画作中,探讨其画作所流露的基本艺术精神,即原初精神、期待精神与反叛精神；四是石涛绘画艺术与时代的审美映现问题,分别从清中叶的“沉滞”与“边缘化”、民国时期的“再发现”及现代性呈现展开论述。
[Abstract]:As a master of individuality painting, Shi Tao's outstanding painting achievements and theoretical achievements had a great influence on the painting world since the middle of Qing Dynasty, especially in modern times. I'm afraid no other painter in the history of China can match it. The mainland academic circles generally believe that the "study of Shi Tao" in the modern sense began with a series of textual research articles published by Mr. Fu Baoshi in the 1930s on Shi Tao's life and life, after more than 80 years of development. Shi Tao Research has made considerable achievements in many aspects. And with the continuous discovery of new materials and the change of research perspective, the research in various fields has gradually gone deeper. This thesis is entitled "Shi Tao painting Aesthetic Research", which includes two-way efforts: on the one hand, it takes the painting world in the early Qing Dynasty as a point. This paper probes into the basic aesthetic trend of the painting world in the late Ming and early Qing dynasties. Shi Tao is different from the aesthetic ideal of the painting world and the basic artistic spirit he expresses in his paintings. On the other hand, taking the history as the line, Shi Tao is placed in the whole history of painting development. Combined with Shi Tao's painting practice and painting theory, this paper probes into the reconstruction of Shi Tao's image and aesthetic reflection with the times in the past 300 years, and probes into the modernity of Shi Tao's painting theory. In this way, through the interweaving of points and lines, the basic image of Shi Tao is gradually drawn, which gives people a clear understanding on the surface. This paper intends to discuss from four aspects: first, the mainstream aesthetic trend of the environment in which Shi Tao is living. It mainly involves Dong Qichang's theory of "imitation of ancient times" and the idea of "four kings" to restore the ancient times. The second part is to discuss Shi Tao's basic aesthetic ideal in painting art, including the aesthetic principle of "one painting" theory and the creative method of "division of creation". The aesthetic mind of "far Dust" and "Free from vulgarity" and the artistic personality of "I am only for me, I have my own self"; third, from Shi Tao's personal experience and his paintings circulated, the basic artistic spirit revealed by his paintings, that is, the original spirit, is discussed. Fourth, Shi Tao's painting art and the aesthetic reflection of the times are discussed from the "stagnation" and "marginalization" of the middle Qing Dynasty, the "rediscovery" during the period of the Republic of China and the present of modernity.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.2

【参考文献】