柯罗风景画探究

发布时间：2018-06-10 07:27

本文选题：柯罗 + 风景画　；参考：《山东师范大学》2013年硕士论文

【摘要】：柯罗在西方美术史上是一个被公认的具有承上启下作用的重要风景画家，他的出现从某种意义上改变了西方美术历史走向，也是十九世纪那个时代古典主义与新思潮新观念之间的激烈碰撞的集中体现。柯罗与巴比松画派在艺术史中是被高度赞扬的，莫奈等印象派画家对柯罗的赞誉甚至让人无法认同。但他在美术史上还没有取得与实际成就和影响相匹配的地位，实际上应该给与柯罗更客观的评价。在风云变幻的法国十九世纪画坛，各种艺术思潮和流派风起云涌，互相融合与碰撞，而这之中自然会出现集众家之所长的艺术结晶。对景写生属于巴比松画派取得创新成功的动力方面因素。由于巴比松画派的画家们走出画室，直接来到客观自然景物的面前，因此也就将画家对大自然直接的主观感受保存在了他们的画布之上。在这之中柯罗是风格折衷的一位，新古典主义提倡古希腊雕塑的即古希腊绘画的理想美，作品中要透漏出古代希腊审美倾向的端庄、典雅、和谐，强烈地排斥艺术家个人的情绪表达，而柯罗的不少风景画中正是有着这种典雅、和谐，这是对新古典主义审美理念的部分肯定。但柯罗强烈的情感表达确是与新古典主义格格不入的，以及柯罗并不将造型与素描放在比颜色更重要的位置，达芬奇的蒙娜丽莎中的背景以及威尼斯壁画中的背景，都有清晰的轮廓和型，相比较而言色彩并无明显个性。新古典主义绘画中的背景风景可以带来明了的对比。古典主义绘画的色彩方面与柯罗的风景画有明显的区别，但柯罗的作品对古典主义乃至新古典主义有明显的继承可以看到在柯罗的创作中明显保持着两种表达倾向，一种是现实主义风格的，另一种是符合历史风景画规则要求特征的。本文的主旨在于通过分析柯罗风景画中体现出的对古典主义的继承之处以及画家的主观人文色彩的表现特点，以及在实践方面对印象主义所产生的影响，揭示出柯罗在西方美术史中的独特的重要历史作用。也许正因为他们的作品中所体现出的各种思潮和流派的影响，减弱了画面的鲜明个性，，成为一个不容易归类的小团体。但是应该认识到柯罗是户外写生的倡导者，也是印象主义的实践前身。也是十九世纪那个时代古典主义与新思潮新观念之间的激烈碰撞的集中体现。他的作品代表的法国十九世纪那个时代艺术史上风云突变。古典主义与浪漫主义交织下产生了柯罗，而柯罗又引发了印象派绘画。从柯罗一个人身上，可以反映出一个时代的面貌，又可以解释传统文化与新兴价值在实际中的交错演变。研究柯罗的意义，体现在能够帮助对西方美术史的近代部分有更真实的认识和理解。
[Abstract]:In the history of western art, Colo is recognized as an important landscape painter with a connecting role. In a sense, his appearance has changed the trend of western art history. It was also a concentrated reflection of the fierce collision between classicism and new ideas in the nineteenth century. Colo and Babbitson were highly praised in the history of art, and Monet and other Impressionist painters praised him with disapproval. But he has not yet achieved a position commensurate with actual achievements and influences in art history, and should actually be given a more objective assessment. In the changing French painting world of the nineteenth century, all kinds of artistic trends and schools of thought were surging, merging and colliding with each other. In this way, there will be the artistic crystallization of the talents of the gathering family. The opposite view painting belongs to the motive force of the Babbitson school to achieve the innovation and success. Since the painters of the Babbitson School walked out of the studio and came directly to the objective natural scenery, the painter's direct subjective feeling of nature was preserved on their canvas. Among them, Colo is one of the eclectic styles. Neo-classicism advocates the ideal beauty of ancient Greek sculpture, that is, ancient Greek painting. In his works, he should reveal the elegance, elegance and harmony of the aesthetic tendency of ancient Greece. Strongly repels the artist's individual emotion expression, but many of Colo's landscape paintings have this elegance and harmony, which is part of the affirmation of the neoclassical aesthetic idea. But Colo's strong emotional expression is at odds with neoclassicism, and Colo doesn't put modeling and sketching in a more important position than color, the background in Leonardo da Vinci's Mona Lisa and the background in the Venetian murals. Have clear outline and shape, compared to color and no obvious personality. The background scenery in neoclassical painting can bring clear contrast. The color aspect of classical painting is obviously different from that of Colo's landscape painting, but Colo's works have obvious inheritance to classicism and even neoclassicism. It can be seen that there are two expressive tendencies in Colo's creation. One is realistic, The main purpose of this paper is to analyze the inheritance of classicism embodied in Colo's landscape painting and the characteristics of the painter's subjective humanistic color. The influence of practice on Impressionism reveals the unique and important historical role of Colo in the history of western art. Perhaps because of the influence of the thoughts and genres embodied in their works, they have weakened the vivid personality of the picture and become a small group that is not easy to categorize. But it should be recognized that Colo is an advocate of outdoor sketching. It is also the forerunner of impressionism. It was also a concentrated reflection of the fierce collision between classicism and new ideas in the nineteenth century. His works represent a sudden change in the history of art in France in the nineteenth century. Classical and romantic intertwined with the production of Colo, which led to the Impressionist painting. From a person, it can reflect the face of an era and explain the staggered evolution of traditional culture and new values in practice. The significance of studying Cologne is that it can help to understand the modern part of western art history more truthfully.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

【共引文献】