以伊斯兰先知为题材的绘画作品研究

发布时间：2018-06-10 10:46

本文选题：伊斯兰绘画艺术 + 戒律　；参考：《东北师范大学》2015年硕士论文

【摘要】：伊斯兰教圣训规定不得造像,不得描绘具有生命体征的对象,从而达到“认主独一”的信仰理念,在伊斯兰教中的重要典籍《古兰经》中也明确指出“禁止偶像崇拜”。在明令禁止下的伊斯兰的绘画艺术,尤其是表现人物的绘画作品的数量就可想而知了。因此,在始于倭马亚王朝的伊斯兰绘画历史典籍中查阅以伊斯兰先知为题材的绘画作品真可以称之为举步维艰。在现存的伊斯兰艺术中,有一部分表现先知的绘画作品,虽然在这些作品中鲜有对先知独立个体形象的塑造,但是在对先知与穆民、先知与使者、先知与犯戒人等叙事情节描绘的作品中,可以领略到作者巧妙地利用绘画语言成功地塑造出超越常人的先知形象。描绘先知题材的绘画作品大致可分为两大类,一类是有描绘具体五官形象的,另一类是没有具体面部形象或是戴着面纱的绘画作品。在精心刻画五官、胡须,虔诚地塑造先知形象的作品几乎是千人一面的形象特征。没有具体五官的作品,应该是受到教法、教义的左右,将先知的面部或五官隐藏起来,正如在众多的描绘圣像的作品中,先知的形象都采用不刻划五官的隐藏或是用面纱遮掩起来、亦有服装仅有外轮廓线没有具体形象的作品。通过这种形式去塑造先知形象,也可能是让信徒们去猜想,真主是如何有力量,有征服力,有无以言表的法力,真主是万能的可以给人们带来无尽的福音和动力的“真神”。如果把从倭马亚王朝开始一直到当下的的伊斯兰绘画历程认真、严肃地梳理一下,这个历史的轨迹不仅是伊斯兰教明令禁止下的真实存在的历史,也可以说是一部线性发展的光辉史。以伊斯兰先知为题材的绘画作品这是这部艺术史中的辉点,正是这些作品在不同历史时期凭借画面的整体结构、色彩结构、明度结构、形体结构等语言形态构建了伊斯兰绘画艺术自身独特的发展轨迹和脉络。它在世界艺术中是不可缺少的一部分,它是人类智慧与辛勤耕耘的杰作。通过对伊斯兰绘画作品的搜集与整理,从绘画学理论的角度分析绘有先知的伊斯兰绘画作品,运用作品的内容、形式语言的解读来阐释其价值意义和这一特殊的艺术现象。本论文针对伊斯兰教有关描绘先知的绘画作品的画面进行绘画理论分析,同时希望世人更加了解先知题材的绘画作品,进而了解伊斯兰教艺术,了解伊斯兰教文化做出的巨大的贡献。
[Abstract]:The Sharia prescribes that no statues and objects with vital signs can be depicted, thus achieving the belief that "the Lord is the only one", and it is clearly pointed out in the Koran, an important book in Islam, that "idolatry is prohibited." The number of Islamic paintings, especially those that represent characters, can be imagined. Therefore, it is difficult to check out the works of Islamic Prophet in the historical books of Islamic painting that began with the Maya dynasty. Among the existing Islamic arts, there are some paintings of the prophets, in which the independent individual images of the prophets are rarely molded, but the prophets and the Mumin, the prophets and the emissaries, In the works of narration such as the prophet and the violator, we can appreciate the author's skillful use of painting language to successfully shape the image of the prophet beyond ordinary people. The paintings of the Prophet theme can be divided into two categories, one is the painting of the specific features, the other is the painting without the specific facial image or wearing a veil. In the meticulous characterization of facial features, beard, pious portrayal of the image of the Prophet is almost the image of a thousand people. Works without specific features should be influenced by the teachings and teachings, hiding the face or features of the prophet, as in many works depicting the holy image, The images of the prophets are hidden with no facial features or veiled, and there are works in which only the outer contour has no specific image. In this way, it is possible for believers to wonder how God has power, subjugation, and unspeakable mana, and that God is almighty "God" who can bring endless gospel and motivation to people. If the course of Islamic painting from the beginning of the Maya dynasty to the present is carefully and seriously combed, the track of this history is not only the history of the real existence explicitly prohibited by Islam, It is also a glorious history of linear development. Paintings with the theme of the Islamic Prophet this is the highlight of this art history. It is these works that in different historical periods rely on the overall structure of the picture, the color structure, and the brightness structure. The body structure and other linguistic forms construct the unique development track and context of Islamic painting art itself. It is an indispensable part of the world's art, it is the masterpiece of human wisdom and hard work. Through the collection and arrangement of Islamic paintings, this paper analyzes the Islamic paintings painted by the prophets from the perspective of the theory of painting, and explains its value and this special artistic phenomenon by the interpretation of the content and the formal language of the works. This thesis makes a theoretical analysis of the paintings of the Prophet in Islam, and hopes that the world will know more about the paintings of the Prophet and then the art of Islam. Understand the great contribution of Islamic culture.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J205

【参考文献】