浅论明清肖像画的价值

发布时间：2018-06-17 21:55

本文选题：明清肖像画 + 写真　；参考：《鲁迅美术学院》2015年硕士论文

【摘要】：明清时期,相较于山水画和花鸟画,人物画的发展较弱,而肖像画的繁荣弥补了当时人物画创作的不足。作为人物画的分支,明清肖像画在人物绘画史上具有举足轻重的作用。明清两代,由于城市商业化和经济的繁荣,给写真这一行业巨大的发展空间,使肖像画朝民间化与专业化发展,涌现出许多写真高手。这种社会生活的客观需要,使得肖像画创作呈现出明显的现实性与功利性,这种多元化、多层次状态下的明清肖像画既是对当时人物的真实记录,也在一定意义上形象化地再现了明清时期的历史风貌。明清肖像画在吸收西方绘画技法与本民族绘画语言的融合等方面做出了有益的尝试实践,取得了令人惊叹的艺术成就,也为现代艺术家的创新实践提供了有益的基础。其写实性的特点与技法表现方式,都是值得当代艺术家探究的。本文通过梳理明清肖像画的历史,从文化背景出发分析研究明清肖像画的种类、流派、写实技法、主要画家以及理论的发展进而揭示其艺术特点和传承创新精神,论述其历和现实意义。本文分四章展开论述。第一章对肖像画的含义及历史渊源进行了概述;第二章是本文的重点,具体论述了明清肖像画的主要艺术特征;第三章论述了明清肖像画的绘画技法,流派画家所体现的传承创新精神;第四章论述了明清肖像画于当代的现实意义,分析研究其传承创新精神对当代肖像画创作的现实意义及积极影响。从而得出结论,明清肖像画对现代人物画的创新与发展具有重要的借鉴与研究价值。
[Abstract]:In the Ming and Qing dynasties, the development of figure painting was weaker than that of landscape painting and flower and bird painting, and the prosperity of portrait painting made up for the deficiency of figure painting creation at that time. As a branch of figure painting, portrait painting played an important role in the history of character painting in Ming and Qing dynasties. Due to the commercialization of cities and the prosperity of economy, the Ming and Qing dynasties gave a huge space for the development of the industry of portraiture, which led to the development of portrait painting towards the folk and professional, and a lot of experts in portraiture emerged. This kind of objective need of social life makes the creation of portraits more realistic and utilitarian. This diversified, multi-level state of the Ming and Qing portraits is not only a true record of the characters at that time. It also visualizes the historical features of the Ming and Qing dynasties in a certain sense. The portrait painting of Ming and Qing dynasties made beneficial practice in absorbing the integration of western painting techniques and the painting language of this nation, and achieved amazing artistic achievements, which also provided a beneficial foundation for the innovative practice of modern artists. Its realistic features and techniques are worth exploring by contemporary artists. By combing the history of portrait painting in Ming and Qing dynasties, this paper analyzes and studies the types, schools, realistic techniques, main painters and the development of theory of portrait painting in Ming and Qing dynasties from the perspective of cultural background, and then reveals its artistic characteristics and inheriting and innovating spirit. Discuss its history and practical significance. This paper is divided into four chapters. The first chapter summarizes the meaning and historical origin of portrait painting; the second chapter is the focus of this paper, the specific description of the main artistic characteristics of the Ming and Qing dynasties portrait painting; the third chapter discusses the painting techniques of the Ming and Qing dynasties portrait painting, The fourth chapter discusses the realistic significance of contemporary portrait painting in Ming and Qing dynasties, and analyzes the realistic significance and positive influence of the inheritance and innovation spirit on contemporary portrait painting creation. The conclusion is that the portrait painting in Ming and Qing dynasties has important reference and research value for the innovation and development of modern figure painting.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

【相似文献】