八大山人画作中的禅宗精神对毕业创作的启示

发布时间：2018-06-17 23:36

本文选题：笔墨构成 + 无我　；参考：《山西大学》2017年硕士论文

【摘要】：中国禅宗绘画是表现禅宗精神、境界的一种绘画形式,是禅机与水墨画的巧妙结合,在笔者对禅宗精神理解的范围内,画以相对单纯的视觉形式表现出来,禅画是表达禅理的方便法门之一,同时也是修行实证的方式。通过对八大山人画作中笔墨构成形式以及其中融摄着的禅宗精神的探索,本文从几个画面形式的构成要素(减笔、抽象、节律、作意、虚实)与禅宗精神中几个基本性质的融合,尝试着更新自我对绘画之事的些许见解,用无碍的心去感受物象,寂静审虑,结合作画的过程中自我心得对绘画这一修行之事做一个简单论述。
[Abstract]:Chinese Zen painting is a form of painting of Zen spirit and realm, a skillful combination of Zen machine and ink painting. In the scope of the understanding of Zen spirit, the painting is displayed in a relatively simple visual form. Zen painting is one of the convenient ways to express Zen. It is also an empirical way of practice. In the form of the Chinese ink and ink and the exploration of the Zen spirit, which melts in it, this article tries to update some of the basic characters in the spirit of Zen from the elements of several forms of painting (reducing pen, abstract, rhythm, meaning, truth) with the spirit of Zen. In the process of self experience, a simple exposition is given to the practice of painting.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【参考文献】