从《富春山居图》中探析黄公望绘画的艺术形式
发布时间:2018-06-17 23:08
本文选题:黄公望 + 富春山居图 ; 参考:《江苏师范大学》2013年硕士论文
【摘要】:《富春山居图》好像一首抒情诗,具有超然物外,韵味悠长之美,诗中有画,画中有诗,意境非常深远。从构图到造型,表现了黄公望把主观情怀融入自然景观当中,把欣赏画的人往更为高远阔远的境界进行引导,以致物我两忘,属于元代文人以意构景、以趣运法的最好表现,真正达到文人所想追求的“萧条淡泊”、“平淡天真”最高审美的艺术境界。是因为画作中所呈现的山水共天一色的艺术形式和感染力的吸引着每位观赏它的人,这种艺术感染力是作者黄公望个人性情和修养的外化与传达。我们在为之深深感染的背后,有必要仔细的分析和学习画作当中所呈现出来的形式和思想以及背后所隐含的人文精神和理念。中国画的学习首先是继承,而后提出创新,,还要有志于发展传统,这种“学习”、“继承”、“创新”、“发展”,不仅仅是停留在理念上,终极研究应是在具体的形式和思想、创作的心态和笔墨的运用等之上,进行分析、临摹、实验,揣摩其奥义,从中有所新的发现,产生新的提高。本文在着重分析《富春山居图》的艺术形式和艺术思想的基础上,探讨形式和语言形成所带给我们的启示,以及在今后的绘画创作中如何的运用,并在继承的基础上生发、创新,为中国画的进一步发展做出探讨。
[Abstract]:Fuchun Mountain residence is like a lyric poem, with a detached, long-lasting beauty, a painting in the poem, a poem in the painting, the artistic conception is very profound. From composition to modeling, Huang Gongwang shows that Huang Gongwang integrates his subjective feelings into the natural landscape and guides the people who appreciate the paintings to a higher and wider realm, so that I forget two things, which belong to the best performance of the literati in the Yuan Dynasty who constructed the scene with the intention and used the method of interesting transportation. To achieve the literati want to pursue the "depression indifferent", "plain naive" the highest aesthetic artistic realm. It is because the art form and appeal of the landscape in the painting attract everyone to watch it. This kind of artistic appeal is the externalization and communication of Huang Gongwang's personal disposition and accomplishment. It is necessary for us to carefully analyze and study the forms and ideas presented in the paintings and the humanistic spirit and ideas behind them. The study of Chinese painting is to inherit first, then to propose innovation, but also to aspire to develop tradition. This kind of "study", "inheritance", "innovation" and "development" is not just a matter of philosophy. The ultimate research should be on the basis of concrete form and thought, the state of mind of creation and the application of pen and ink, etc., such as analyzing, copying, experimenting, trying to figure out its meaning, making some new discoveries and producing new improvements. Based on the analysis of the art form and artistic thought of Fuchun Mountain residence, this paper discusses the enlightenment brought to us by the formation of form and language, and how to use it in painting creation in the future, and on the basis of inheritance. Innovation, for the further development of Chinese painting to make a discussion.
【学位授予单位】:江苏师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212
【参考文献】
相关期刊论文 前10条
1 李微妙;;浅议自然人文景观与绘画创作的关系[J];广西教育;2009年09期
2 王小红;;黄公望与《富春山居图》[J];东方博物;2009年03期
3 郑秉珊;黄公望[J];美术;1957年04期
4 陈钠;闲适逸迈 神貌化合——解读黄公望《富春山居图》[J];美术大观;2005年09期
5 代青全;;苍率潇洒 闲逸平淡——简析《富春山居图》艺术特点[J];美术大观;2006年06期
6 刘海燕;;浅谈《富春山居图》的艺术精神[J];美术教育研究;2011年05期
7 燕军;;技法的逃遁——品读黄公望的《富春山居图》[J];佳木斯教育学院学报;2012年08期
8 陈钠;黄公望《富春山居图》艺术分析[J];美术;2005年09期
9 李豪;;中国当代绘画与中国传统文化[J];美术大观;2010年09期
10 徐邦达;;黄公望和他的富春山居图[J];文物参考资料;1958年06期
相关博士学位论文 前1条
1 文华宝;画为心印[D];中国美术学院;2009年
本文编号:2032857
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/2032857.html