司徒立绘画方法论的探讨

发布时间：2018-06-18 04:21

本文选题：本质直观 + 纯粹　；参考：《大连工业大学》2013年硕士论文

【摘要】：具象表现绘画基本方法，首先第一点是“现象学的看”，顾名思义，这个方法和现象学有着千丝万缕的关联。海德格尔说过：“让人从显现的东西本身那里，如它从其本身所显现的那样来看它。”在传统自然主义观中，把看和看见的对象不假思索的认为那就是毫无问题的本就如此的先天性结果。但是，事实上人的看往往会带有各种先入为主的成见，这种带着成见去观看的视觉经验，就自然会影响观看的真实性，也必然会失去部分甚至大部分事物对象本身的原初性。因此，基本方法主张对看进行一番严密检视，研究如何才能达到“面向事物本身”的看，就是所谓的现象学的看。基本方法给我们带来了三种可以使我们与事物对象作最原始的交流。A..悬置。它是现象学方法的一个基本要素，从绘画角度来说，就是要在观看的过程当中，将除了事物对象自身所能显现的原初的经验，如即有的有关与美学的一些观点、多年来慢慢形成的绘画法则等等，暂时将其悬挂搁置起来，即认可它的存在又不论它的作用。B.纯粹直观。让绘画中作者的观看，严格的将其限定在对象自身所能直接显现的原初的直接经验之中。C.质疑。在绘画过程中我们也要不断的发出质疑，它让观看本身变成为了一种严格的慎思，从这个方面说它同时也是在向事物世界的发问，一种邀请，一种呼唤，呼唤那些能随时到来的原本存在的东西。对于存在现象的经验，我们无法也不可能像收集实物一样去获得，但是事物本身的这种“不断流变，不断生成”的无休止的真实本性又是固定存在的，所以，我们通过构成境域世界来揭示这种无现成的无终结的纯构成方法，这个境域世界就像完整的自然世界那样丰饶、开放、保持、涌现……它虽然仍是事物对象本身的世界，事物在这个世界中自由的显现和隐蔽。让我们静下心去倾听这寂静之音，这样去追寻，，才能听到存在的真实声音。基本方法所揭示的真实，是构成的真实，并不是像柏拉图模仿论中的二元结构符合论的真实，也不是现代艺术那样骄横跋扈的主观主义的真实。在这个世界中，最根源的真理发生的原初的永无完成的真实。那么，绘画作品将是永远不能完成的作品，或者也可以说是一件作品的完成就是为了去引导着永无完成的视觉经验。
[Abstract]:The first point is "phenomenological view", which, as the name implies, is inextricably related to phenomenology. Heidegger said: "Let man see it from the thing itself, as it does from itself." In the traditional view of naturalism, the object of seeing and seeing is thought to be such a congenital result without question. However, in fact, people often have a variety of preconceived prejudices, this visual experience of viewing with prejudice, will naturally affect the authenticity of viewing, but also will inevitably lose some or even most of the original object itself. Therefore, the basic method advocates a close examination of seeing and how to achieve the view of "facing things itself", which is called phenomenological view. The basic method gives us three kinds of things that allow us to communicate with objects in the most primitive way. A. Mount It is a basic element of phenomenological methods. From the perspective of painting, it is necessary to, in the process of viewing, include in addition to the original experience that the object itself can manifest, such as some viewpoints about aesthetics. The law of painting, which has been slowly formed over the years and so on, has been suspended for the time being, recognizing its existence and regardless of its role. Purely intuitive. Let the author's view in the painting be strictly limited to the original direct experience that the object itself can directly manifest. Question. In the process of painting, we have to constantly question, it makes the viewing itself become a strict thinking, from this point of view, it is also a question to the world of things, an invitation, a call, Call for things that can come at any time. We cannot, and cannot, acquire the experience of existence, but the endlessly real nature of the thing itself, which is constantly changing and growing, is fixed, so, We reveal this pure way of making up the world without any ready-made end, which is as abundant, open, maintained, and sprung up as the complete world of nature. Although it is still the object of the world, things in this world of free manifestation and concealment. Let us listen to the sound of silence so that we can hear the true voice of existence. The truth revealed by the basic method is the truth of constitution, not the truth of the theory of conformity of dualistic structure in Plato's theory of imitation, nor the domineering subjectivist truth of modern art. In this world, the most rooted truth occurs in the original unfulfilled reality. Then, painting will never be completed, or it can be said that a work is completed to guide the visual experience never completed.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J204

【共引文献】