清末民初木版年画中女性形象的变化研究

发布时间：2018-06-18 05:11

本文选题：清末民初 + 木版年画　；参考：《杭州师范大学》2013年硕士论文

【摘要】：中国木版年画,是我国独特的一种民间艺术形式,它源于原始宗教,形成于宋代,至明清达到发展高峰,是民俗文化传承的重要载体之一。它反映了世俗生活状态和人们对美好生活的向往,与当时社会的经济、文化、民俗等息息相关,具有较高的史料和研究价值。清末民初是中国近现代史上一段特殊的历史时期,新旧制度在此交替、中西思想在此交融、社会的巨变影响到了世俗生活的方方面面,在这个历史转折期,中国女性的生存状态和社会角色也正在发生前所未有的转变。清末民初的木版年画中出现了大量的女性形象,她们的社会角色,服饰妆扮、精神面貌的变化为我们提供了难得的图像史料。本文尝试通过清末民初木版年画中女性新形象的变化研究,来探讨那个特殊时期女性解放的历史进程,研究其所蕴含的社会意义和文化价值。目前对于年画的研究多为通史类,关注民间木版年画女性形象的研究较为罕见,我们以为对清末民初木版年画中女性形象的再研究,能够开启近现代女性问题研究的新窗口。
[Abstract]:Chinese woodcut New year painting is a unique folk art form in China. It originated from the primitive religion, formed in the Song Dynasty, reached the peak of development in the Ming and Qing dynasties, and is one of the important carriers of the inheritance of folk culture. It reflects the secular state of life and people's yearning for a better life, which is closely related to the economy, culture and folklore of the society at that time, and has high historical data and research value. The end of the Qing Dynasty and the beginning of the Republic of China was a special historical period in the modern history of China, where the old and the new systems alternate, the Chinese and Western thoughts blended here, and the social changes affected all aspects of secular life. At this historical turning point, The living state and social role of Chinese women are also undergoing unprecedented changes. There are a large number of female images in the woodcut New year paintings in the late Qing Dynasty and the beginning of the Republic of China. The changes of their social roles, costumes and spiritual features provide us with rare historical images. This paper attempts to explore the historical process of women's liberation in that special period and study its social significance and cultural value through the study of the changes of the new images of women in the woodwork of the late Qing Dynasty and the beginning of the Republic of China. At present, the study of New year's Pictures is mostly of general history, and it is rare to pay attention to the female image of folk woodwork. We think that the re-study of the female image in the woodwork of the late Qing Dynasty and the early Republic of China can open a new window for the study of women's problems in modern and modern times.
【学位授予单位】：杭州师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J217

【参考文献】