中国当代油画创作中的表现主义倾向

发布时间：2018-06-18 15:48

本文选题：表现主义 + 油画　；参考：《鲁东大学》2014年硕士论文

【摘要】：表现主义是二十世纪早期起源于欧洲北部的一场艺术运动，表现主义反映了特定历史时期的政治、经济、文化和生活背景，其影响非常远大。直到表现主义的社团活动停止以后，，德国和其他西方国家的许多艺术家仍然深受表现主义的美学思想和艺术手法的影响。在西方的艺术流派中，表现主义象征着自我、个性和自由，具有强烈的激进情绪和批判精神。西方表现主义主要来源于艺术家主观意识，他强调自我表现，强烈的主观情感在艺术家油画创作过程中起着举足轻重的作用，他一直代表着一种在特定历史背景下人类的自我挣扎、惊恐不安的呐喊和自身的反思。表现主义既有着对客观世界现状的怀疑、抗议和反思，又有着对情感世界和人类心理状态的探索。随着社会的发展，二十世纪二十年代西方表现主义传入中国，对中国的油画创作产生了极其重要的影响，对中国油画发展起到积极的推进作用，使中国当代油画创作具有表现主义倾向，并且这种表现主义倾向的油画创作得到迅速的传播和蓬勃的发展。本文主要分为五大部分，第一部分中国表现性油画的发展进程、代表人物及其作品分析；第二部分中国具有表现主义倾向油画的艺术特征与具体类型及表现手法；第三部分中国传统哲学和美学理论中的表现主义倾向；第四部分西方表现主义的发展；第五部分当代油画创作中的表现主义倾向的反思及新趋向。第一部分主要对中国整个20世纪至今的具有表现主义倾向的艺术家、作品及其实践进行了梳理分析，主要分为中国表现性油画的初期探索（约1900-1949年）、中国表现性油画复兴（1970-1989年）、表现性油画的新格局（1900年至今）三个时期，着重介绍了中国表现性油画复兴和新格局两个时期具有代表性的油画家及其作品和艺术风格，对林风眠、关良、尚扬、贾涤非等艺术家及其作品、艺术特色进行了较深入的分析与研究。第二部分介绍了油画创作中表现主义倾向的注重人的本性、注重情感的表达和追求自由三个主要特征。还阐述了中国表现性油画写意性和抽象性的两种表现手法，其中写意性表现手法通过林风眠的中西结合、夏俊娜的诗情画意以及段正渠的地域性文化传达生命感受三个方面来阐述的；抽象性表现手法是通过朱德群的无声的旋律和毛旭辉的反映人类心灵的反叛与抗争来阐述的。第三部分阐述了表现主义倾向在中国传统哲学和美学理论中的体现，主要介绍了道家思想和禅宗思想、意象说和神韵说两种理论观点。第四部分对西方表现主义进行主要的介绍，为了更好的研究表现主义倾向，分别对西方早期表现主义、德国表现主义、美国抽象表现主义和德国新表现主义四大时期的背景代表人物及其艺术特色进行了详细的介绍。第五部分对当代油画中的表现主义倾向进行了反思，并针对反思的问题提出了一些具有建设性的意见。我们要推动油画艺术的国际化与本土化是一体化的进程,不断的探索和创新属于我们自己的绘画语言和艺术风格，为中国的油画事业的发展和进步做出贡献。
[Abstract]:Expressionism is an art movement originated in northern Europe in the early 20th century . The expressionism reflects the political , economic , cultural and living background of the specific historical period , and its influence is very far . Many artists in Germany and other western countries are still deeply influenced by expressionism ' s aesthetic thoughts and artistic techniques until the expressionism ' s activities stop .

In the western art schools , expressionism symbolizes the self , the individuality and the freedom , and has a strong radical mood and critical spirit . Western expressionism mainly comes from the artist ' s subjective consciousness , he emphasizes the self - expression , and the strong subjective emotion plays an important role in the artist ' s oil painting creation .

With the development of society , the western expressionism introduced into China in the 1920s , which has played an important role in Chinese oil painting creation , and has played an active role in the development of Chinese oil painting .

This paper is divided into five parts , the first part of China ' s expressive oil painting ' s development process , the representative character and his work analysis ;
In the second part , China has the artistic characteristics and specific types and expression methods of expressionism - oriented oil painting ;
The third part is the tendency of expressionism in Chinese traditional philosophy and aesthetics theory ;
The fourth part is the development of western expressionism ;
The fifth part reflection and new tendency of expressionism tendency in contemporary oil painting creation .

The first part analyzes the artists , works and their practices in China as a whole in the 20th century . It is mainly divided into three periods of Chinese expressive oil painting ( about 1900 - 1949 ) , Chinese expressive oil painting revival ( 1970 - 1989 ) and the new pattern of expressive oil painting ( 1900 - present ) .

The second part introduces the human nature of expressionism in oil painting creation , pays attention to the expression of emotion and the three main characteristics of freedom .
Abstract Expressive technique is elaborated through Zhu De ' s silent melody and Mao Xuhui ' s reflection of the rebellion and struggle of the human soul .

The third part expounds the expression of expressionism tendency in Chinese traditional philosophy and aesthetics theory , mainly introduces Taoist thought and Zen thought , image theory and charm theory .

In the fourth part , the western expressionism is introduced in detail . In order to study the tendency of expressionism , the author gives a detailed introduction to the background of Western early expressionism , German expressionism , American abstract expressionism and Germany ' s new expressionism .

The fifth part reflects on the tendency of expressionism in contemporary oil painting , and puts forward some constructive suggestions on the question of reflection . We should promote the internationalization and localization of oil painting art as the process of integration . The continuous exploration and innovation belong to our own painting language and artistic style , which contributes to the development and progress of oil painting career in China .
【学位授予单位】：鲁东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

【参考文献】