哈萨克民族风情水墨系列国画创作研究

发布时间：2018-06-19 01:37

本文选题：哈萨克 + 民族风情　；参考：《新疆师范大学》2013年硕士论文

【摘要】：文章主要是在导师指导下进行的以少数民族（哈萨克族）为题材的中国写意人物画创作研究和艺术实践后的一些总结。新疆地域辽阔，是世界历史上东西方文明交流的驿站，遗留着大量中西文化渗透、融合的遗址遗迹，这里的各民族鲜明的文化和悠久的历史都深深地感染了我。新疆民族众多，形象俊美、体态魁梧，兼有欧洲人的造型和亚洲人的色彩，且民风纯朴，这种质朴品性的美、生活的美、形象的美，，是进行艺术创作完美对象。哈萨克族也是新疆少数民族其中之一，且人数也较多，并以游牧生活为主，哈萨克一词意思为“白色天鹅”。而且由于在新疆这里就读、生活和学习，使我深刻感受到少数民族文化的精神力量，尤其是哈萨克族的人民的生活和形象使我觉得很感兴趣、他们的体貌和服饰文化、生活习俗都与内地汉族有很大不同，他们像诗一样的服饰和民族生活极其具有画意，这些都使作为汉族学生的我很着迷，所以在导师的指导下选择了以哈萨克民族风情做为描绘的内容，主题创作主要就是以中国画写意手法描绘新疆哈萨克民族人民的生活。由于学校所在地域位置的原因我们描绘此种题材比内地艺术工作者具有明显的地域性和民族性优势。这一题材曾有一些画家和艺术家描绘过，都形成了各具特色的艺术面貌，但是我觉得由于这个民族文化的丰富性在这一方向还深有潜力可以继续挖掘，所以以此为方向继续努力，通过创作实践研究和论文撰写能够整理出以哈萨克为题材写意人物画的构图、技法、画面局部处理手法等方面的问题和解决办法，有助于自己艺术思想、笔墨语言与题材的结合，有助于总结一些艺术实践经验，并通过创作实践可以整理出一些自己的关于艺术的看法和观点。这样也有助于中国人物画的多样化发展，也可以作为后来艺术学习者的实践参考。
[Abstract]:This paper is a summary of the research and practice of Chinese freehand figure painting with the theme of ethnic minorities (Kazaks) under the guidance of teachers. Xinjiang, with its vast territory, is a post station for the exchange of eastern and western civilizations in the history of the world, leaving behind a large number of relics of infiltration and fusion of Chinese and Western cultures. The distinct culture and long history of all nationalities here have deeply infected me. Xinjiang has a large number of nationalities, a handsome image, a burly posture, a European style and Asian color, and a simple folk style. This kind of simple beauty, the beauty of life and the beauty of image, is the perfect object for artistic creation. Kazakh is also one of the minorities in Xinjiang, and the number of people is also large, and mainly nomadic life, Kazakh means "white swan". And because I am studying, living and studying here in Xinjiang, I have a deep feeling of the spiritual strength of minority culture, especially the life and image of the Kazakh people, and I am very interested in their body appearance and dress culture. The customs of life are very different from those of the Han nationality in the mainland. Their poetic costumes and national life are extremely picturesque. These have fascinated me as a student of the Han nationality. Therefore, under the guidance of the instructor, I choose Kazakh national customs as the description of the content, the main theme creation is to portray the life of Xinjiang Kazakh ethnic people with Chinese painting freehand brushwork. Because of the location of the school, we describe this subject matter has obvious regional and national advantages over the mainland art workers. This subject has been painted by some painters and artists, all of whom have formed their own unique artistic features, but I think that because of the richness of this national culture, there is still deep potential in this direction to continue to tap. So continue to make efforts in this direction, through creative practice research and paper writing, we can sort out the problems and solutions in the composition, techniques and local processing techniques of Kazakh freehand brushwork paintings. It is helpful to combine the artistic thought, the language of pen and ink with the subject matter, to sum up some experience of art practice, and to sort out some views and viewpoints about art through creative practice. This also contributes to the diversified development of Chinese figure painting and can be used as a reference for later art learners.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】