浅析材料对于绘画的意义
发布时间:2018-06-19 03:06
本文选题:材料 + 材料美感 ; 参考:《鲁迅美术学院》2014年硕士论文
【摘要】:材料媒介是艺术语言的物质载体,本身是具有一种初级的质地美,也就是材质美感。不同材料的质感与肌理会产生不同的视觉效果和形式语言,随着人们认识的加深,材料已不仅仅只是艺术家表达情感的工具。 生宣纸作为中国水墨画的一个重要元素及表现工具,是在长期的艺术实践中逐渐演变出来的集结了艺术家智慧的绘画材料,生宣纸与水墨结合所呈现的美感效应是其它工具材料所无法替代的。 材料承载着艺术家的情感艺术家的精神观念和情感世界,使材料特性得以充分发挥,,并能有效地与艺术家想要表达艺术观念结合,才可说是真正掌握了这一物质材料的本质属性。 打破固有的表现模式,直面材料,尊重材料,从材料给人的信息出发建立与绘画的新联系,以此开拓材料发展空间。
[Abstract]:The material medium is the material carrier of the artistic language , it is a kind of primary texture beauty , it is the material aesthetic feeling . The texture and texture of different materials produce different visual effect and formal language , as the people know the deepening , the material has not only the tool that the artist expresses emotion .
As an important element of Chinese ink painting and its expressive tool , Sheng Xuan paper gradually evolved in the long - term art practice . The aesthetic effect presented by the combination of raw Xuan paper with water and ink is irreplaceable by other tool materials .
The material bears the spiritual idea and the emotional world of the artist ' s emotional artists so that the material characteristics can be brought into full play and can be effectively combined with the artist ' s desire to express the artistic conception , so that the material property of the material material is truly mastered .
To break the inherent performance pattern , direct material , respect the material , set up a new connection with the painting from the material to the person ' s information , so as to open up the material development space .
【学位授予单位】:鲁迅美术学院
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J212
【参考文献】
相关期刊论文 前1条
1 倪龙娇;;浅谈传统话语下中国画工具材料的演变[J];美与时代(下半月);2008年05期
本文编号:2038107
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/2038107.html