基于视知觉动力理论的风景丙烯画创作探微

发布时间：2018-06-20 00:13

本文选题：构图 + 风景画　；参考：《广州大学》2017年硕士论文

【摘要】：风景画已经有很长的历史了,西方绘画史已知的第一批独立风景画是由德国文艺复兴时期阿尔布雷希特·阿尔特多弗1526-1528年绘制的《有城堡的景色》,距今已经有488年的历史了。现在我们身边随处都可以看到风景画,人们对于风景画的需求越来越大,风景画创作体现了人与自然的和谐精神,拉近了人与自然的距离,因为艺术家个人的差别所创作出的风景画也会有所区别,造就了风景画艺术上的多样性。在风景画中构图的重要性不言而喻,一个优秀的构图风景画就成功了一半。回顾整个西方艺术史,能够使艺术大师和学院派区别开来的最大因素就是构图。尽管学院派的绘画者可以最大可能向艺术大师们学习,接受为人们所知的东西,从而在绘画技法上能够变得足够的熟练。他们大多数都是可以模仿艺术大师们的一般手法和色彩等绘画因素,但是在经营构图方面却始终无法跟艺术大师们相提并论。模仿者很明白当涉及到构图时,艺术大师们所具备一种特殊的才能,但是不知道如何创造出属于自己的精彩构图,从伟大的构图方式常常被人拿来临摹和复制便能够说明这一点。在机缘巧合下笔者接触到了鲁道夫·阿恩海姆的著作和他提出的视知觉动力理论,因此,笔者通过对阿恩海姆视知觉动力理论的相关文献和专著的研读,整理总结出一些基本构图原则,将视觉这种特殊的思维方式运用到自己的风景丙烯画创作中。论文主要采用文献分析法、归纳法、图像法进行研究,最后在研究的理论基础上进行毕业绘画创作。
[Abstract]:Landscape painting has a long history. The first batch of independent landscape paintings known in the history of western painting was painted in 1526-1528 by Albrecht Dover in Renaissance, Germany. It has a history of 488 years. Now we can see landscape painting everywhere, people's demand for landscape painting is increasing. Landscape painting creation embodies the spirit of harmony between man and nature and draws closer the distance between man and nature. Because the artist's personal differences in the creation of landscape painting will also be different, creating a variety of landscape art. In landscape painting, the importance of composition is self-evident, a good composition landscape painting is half successful. Looking back at the whole history of western art, the most important factor that distinguishes the masters of art from the academicians is composition. Although academically painters can learn as much as possible from masters of art and accept what is known, they become proficient in painting techniques. Most of them can imitate the general technique and color of the artists, but they can not compare with the artists in the management of composition. Imitators understand that when it comes to composition, artists have a special talent, but don't know how to create their own wonderful composition. This can be illustrated by the way great composition is often copied and copied. By chance, the author has come into contact with Rudolph Arnheim's works and his theory of visual perception dynamics. Therefore, the author studies the relevant literature and monographs of Arnheim's theory of visual perception dynamics. This paper summarizes some basic composition principles and applies the special thinking mode of vision to his own landscape acrylic painting creation. The thesis mainly uses the literature analysis method, inductive method, image method to carry on the research, finally carries on the graduation painting creation based on the research theory.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213.9

【参考文献】