辽代花鸟画研究

发布时间：2018-06-20 01:37

本文选题：辽代花鸟画 + 唐宋花鸟画　；参考：《南京艺术学院》2014年硕士论文

【摘要】：辽代绘画是中国古代美术史的重要组成，而辽代花鸟画作为辽代绘画的一部分却并未得到学者们的广泛关注。辽代花鸟画是游牧民族在吸收唐宋文化中发展起来的，其特点是在粗犷豪放的格调中抒发了游牧民族对草原生活的热情。本文旨在通过辽代花鸟画研究契丹“捺钵”文化对其民族人文心理及审美心理的渗透。同时在与唐宋绘画与辽代艺术氛围的关系中探讨辽代花鸟画的成因。虽然由于考古进度、保存难度等等问题造成辽代花鸟画作品数量的有限，，使得研究进程受阻。但用仅有的作品研究辽代花鸟画在辽代绘画中的重要组成，可以更好的认识辽代花鸟画研究和辽代美术史研究的重要性，以及在我国多民族文化历史背景下研究少数民族的美术史重要性。
[Abstract]:Liao Dynasty painting is an important component of ancient Chinese art history, but Liao Dynasty flower and bird painting as a part of Liao painting has not been widely concerned by scholars. The painting of flowers and birds in Liao Dynasty was developed by nomadic people in absorbing the culture of Tang and Song dynasties, and its characteristic is that it expresses the enthusiasm of nomadic people for grassland life in the style of bold and bold. The purpose of this paper is to study the penetration of Qidan's culture to its national humanistic and aesthetic psychology through flower and bird painting in Liao Dynasty. At the same time in the Tang and Song Dynasty painting and Liao Dynasty artistic atmosphere of the relationship between the Liao Dynasty flowers and birds painting causes. Although due to archaeological progress, preservation difficulties and other problems caused by the Liao Dynasty flowers and birds painting works limited, making the research process blocked. But using only works to study the important composition of flower and bird painting in Liao Dynasty can better understand the importance of the study of flower and bird painting in Liao Dynasty and the study of Liao Dynasty art history. And the importance of studying the art history of ethnic minorities under the background of our country's multi-national culture and history.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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