德国新表现主义绘画语言特征研究

发布时间：2018-06-20 04:15

本文选题：新表现主义 + 绘画语言　；参考：《渤海大学》2014年硕士论文

【摘要】：德国新表现主义产生于20世纪70年代至80年代初。其代表画家所创作的艺术作品风格迥异、各具特色。作品都呈现出“反叛”当前艺术潮流的总体特征——让抽象回归具象。本文从德国新表现主义代表画家的绘画语言特征切入，分析与总结德国新表现主义的绘画语言特征，再从中分析其呈现出的精神内涵，最后总结德国新表现主义对绘画艺术产生哪些影响。文章共分三部分来进行分析与概述。第一章：总结与分析出巴塞利兹的绘画语言特征是“颠倒”与“变调”、伊门道夫的绘画语言特征是“政治”与“历史”，基弗的绘画语言特征是“废墟”与“文字”、彭克的绘画语言特征是“涂鸦”与“符号”；第二章分析了德国新表现主义绘画特征呈现出的精神内涵——直面历史的精神，“反叛”与“创造”的艺术精神；第三章总结了德国新表现主义绘画对东西方绘画艺术的影响。德国新表现主义的绘画语言特征影响了后现代艺术的发展，使传统的架上绘画又重新回到人们的视野，对于传统绘画来说，这具有里程碑式的意义。而着眼中国当下社会，充满着各种各样的数字艺术，传统的架上绘画艺术早已失去昔日的辉煌，这与德国新表现主义所产生的时代背景有相似之处。本文的研究目的是为了提高人们对艺术的理解程度，，补充该方面的资料，以期对中国架上绘画的发展有所脾益。
[Abstract]:German neo-expressionism emerged in the 1970s and early 1980s. The works of art created on behalf of painters are very different in style and have their own characteristics. The works all present the general characteristics of "rebel" the current artistic trend-to make abstract return to concrete. This paper analyzes and summarizes the painting language characteristics of German Neo-Expressionism from the perspective of the painting language characteristics of the representative painters of the Neo-Expressionism in Germany, and then analyzes the spiritual connotation of the Neo-Expressionism in Germany. Finally, it summarizes the influence of German neo-expressionism on painting art. The article is divided into three parts to analyze and summarize. The first chapter summarizes and analyzes that the features of Bartholitz's painting language are "upside down" and "change of tone", that of Emendorf's painting language is "politics" and "history", and that Keefer's painting language is characterized by "ruins" and "words". The second chapter analyzes the spiritual connotation of the characteristics of German neo-expressionist painting-the spirit of facing history, the artistic spirit of "rebellion" and "creation". The third chapter summarizes the influence of Neo-Expressionism painting in Germany on the art of painting in East and West. The characteristics of the painting language of the new expressionism in Germany have influenced the development of post-modern art, and made the traditional frame painting come back to people's vision again, which is of milestone significance to the traditional painting. In view of the current Chinese society, full of all kinds of digital art, the traditional frame painting art has lost its former glory, which is similar to the background of the era of German neo-expressionism. The purpose of this paper is to improve people's understanding of art and to supplement the information in this field in order to benefit the development of Chinese frame painting.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.516

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