何以“以梦为马”-毕业作品“以梦为马”的创作报告

发布时间：2018-06-20 04:55

本文选题：梦想 + 工笔人物画　；参考：《福州大学》2014年硕士论文

【摘要】：打破常规束缚,创作出具有个人风格和现实意义的工笔人物画,一直是笔者的追求。笔者曾经专门研究过“非典型性工笔人物画”,笔者对其的定义是非主流工笔人物画。这也是笔者对自己今后创作方向的定位。笔者的毕业创作“以梦为马”是以“梦想”作为创作对象,这组作品也是笔者对非典型性工笔人物画的一次自主创作研究。笔者对梦想的定义是,梦想显然不是旗帜,不应该挂在高处,迷惑人,麻痹人。梦想也不应该是耻辱,不应该压在生活已有的担子上,或被遗忘。梦想应该是自己对自己的承诺,是对更好生活的期许,应该永远不放弃,一直为之努力,就算不能实现,它也必须是你生活受挫后用来安慰自己的最甜的一颗糖。如何用具有个人风格的画面来表达和描述虚幻的梦想,并引起共鸣?笔者选择了多幅条幅工笔重彩人物画拼接的方式来表达。作品的预期效果有以下几点,首先画面要有吸引力。这就决定了画面必须主体鲜明,内容新颖,并且要具有感染力。尽量把传统工笔人物画的材料与现代综合材料相结合,打破思维定势,尽可能的创作出能让观众产生更多共鸣的作品。考虑到存在感的问题,所以作者选择创作相对更能吸引人注意力的大幅作品。其次画面应该有较强烈的个人风格。一幅作品如何从相似甚至相同题材的画作中脱颖而出,显然个人风格是制胜法宝。所以笔者希望自己的作品能够通过女性的独特视角,对画面主体形象的适度个性化变形,及细腻创新的描绘手法,让画面的个人风格能强烈一点。再次画面必须主次得当。由于作品的设定是长轴作品,所以最终效果还必须保证画面各元素的主次处理能有序得当,不能喧宾夺主,也不能过于平淡。要让观者能够直白的领会画面的主题,并能将作品的感染力一直延伸到画面之外。创作过程中作者参照了若干非典型性工笔人物画画家的作品,学习和吸取了他们在造型夸张,画面布局,意象选定,设色处理等方面的手法和特点,并加入了自己的想法,基本达到了作品的预期要求。毕业作品“以梦为马”系列和习作“藤缠树”系列,都具有作者独特的个人风格,并且具有非典型性工笔人物画的特征。
[Abstract]:It is the pursuit of the author to break the conventional bondage and create the meticulous figure painting with personal style and realistic significance. The author has specially studied "atypical meticulous figure painting", which is defined by the author as non-mainstream meticulous figure painting. This is also the author of his future direction of creation positioning. The author's graduation creation "to dream as a horse" is to "dream" as the object of creation, this group of works is also the author of the non-typical fine brushwork of a study of independent creation. My definition of dreams is that dreams are clearly not flags, should not be hung in high, confusing, paralyzing people. Dreams should not be humiliated, burdened or forgotten. Your dream should be your promise to yourself, your expectation for a better life, never give up, always work for it, even if it can not be realized, it must be the sweetest sugar to comfort yourself after your life is frustrated. How to express, describe and resonate with a personal picture of a fantasy dream? The author has chosen many banners fine brushwork heavy color figure painting splice the way to express. The expected effect of the work has the following points, first of all, the screen should be attractive. This determines the screen must be the main body, new content, and to have appeal. Try to combine the traditional meticulous figure painting materials with modern comprehensive materials, break the pattern of thinking, as far as possible to create the audience can produce more resonating works. Considering the problem of being, the author chooses to create large works that attract more attention. Second, the picture should have a stronger personal style. How a work stands out from a similar or even the same subject matter is clearly a magic weapon. So I hope my works through the unique perspective of women, the image of the appropriate personalized deformation, and delicate and innovative description, so that the personal style of the screen can be a little stronger. Again the picture must be appropriate. Because the work is set as a long axis work, so the final effect must also ensure that the primary and secondary processing of the elements of the screen can be orderly and appropriate, can not be obsessive, nor too flat. Let the viewer understand the theme of the picture, and can extend the appeal of the work beyond the picture. In the process of the creation, the author referred to the works of a number of atypical meticulous brushwork painters, studied and absorbed their techniques and characteristics in such aspects as exaggeration, picture layout, image selection, color treatment, and so on, and added their own ideas. Basically met the expected requirements of the work. The graduation works "Dream as the horse" series and "rattan tree" series all have the author's unique personal style, and has the characteristic of the atypical fine brushwork figure painting.
【学位授予单位】：福州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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