论表现拿破仑的美术作品的典范意义及其现实影响

发布时间：2018-06-22 16:26

本文选题：拿破仑 + 美术作品　；参考：《山西大学》2014年硕士论文

【摘要】：论文摘要：无论何时,繁荣富强是每一个国家的公民最真实的企盼,历史反复证明,唯有伟大的民族才能够创造伟大的历史,唯有伟大伟大历史的民族亦必有其相应的历史人物来作为典型。拿破仑正是这样的典型,拿破仑时期的法国,政治上统一安定、经济上富有繁荣、军事上侵略扩张。作为意识形态语言的高度载体——艺术也当然不让、理所当然地取得了当时世界的巅峰成就。可以这样说,如果没有拿破仑所创造的世界,描绘他及其所创造的世界的美术作品也就不复存在了。从这个意义上说,这一时期的艺术风格也是拿破仑所引领和倡导的。甚至可以说是拿破仑所创造的。反过来说,这一时期的美术作品也成就和升华了当时后世人们对拿破仑及其作为典范意义的理解。拿破仑,因其文治武功,跌宕起伏的人生经历,为后世遗留下无以量计的物质遗产与非物质文明。因此,研究者历来不乏善者。然而,在美术研究领域,从技法、风格、色彩等审美元素能够做出比较有价值而全面的研究成果己然不多。倘若能够从图像心理学、结合以图证史以及以史证图相结合的研究方法,以及反传统、多元化、逆思维等创新研究形式就可以说在某种程度上有所新的突破了。笔者正是要运用这些新方法、新思维、新形式去尝试解读另外一个也许不为人所周知的拿破仑。在拿破仑政治生涯的各个时期都有相关的历史画记载,从求学布里埃纳军校学生炮兵司令、第一执政、加冕典礼、指挥战争、视察战场、社交活动,直至私人生活的各个方面,介绍他的历史画有300多幅,而描绘他的艺术家也有230多位。以此浩繁的历史题材与相关美术作品相验证、相信会有不小的收获。本文通过对对拿破仑一生的三个不同时期的创作作品进行详细分析,来了解拿破仑为主题的美术作品所呈现出来的历史内容和精神启示。第一部分是以从拿破仑从沦落贵族到第一执政这一历史时间为载体,拿破仑从诞生到军校,再从军校到炮兵指挥,再从炮兵指挥到第一执政这一期间的史实及其心路的发展历程;第二部分是以拿破仑成为法国第一执政到帝国鼎盛时期为载体,拿破仑在这一时期所经历的大小失败与胜利以及其帝国走向鼎盛的原因;第三部分则是以拿破仑从鼎盛时期到王权旁落这一时期为载体,论述这一时期拿破仑如何从巅峰走向失败,并揭示其最终为何失败的原因。以及其带给我们的精神启示。并且要在这一过程中结合新古典主义和浪漫主义两种不同的艺术表现风格去殊途同归的揭示造成表现拿破仑美术作品多样性的原因及其艺术差异,进而分析其艺术作品本身属性的典范意义。说到典范意义,这里涉及到的主要的艺术家有大卫。德拉罗什、安格尔、格罗以及热拉尔等,通过对这些创造拿破仑艺术形象典型的画家不同的表现手法及精神实质深入分析研究,在这些揭示其美术作品的典范意义本身属性的过程中,树立一些新的概念和规则,这就是本论文的价值所在。
[Abstract]:Abstract: no matter when, prosperity and prosperity are the most true expectations of the citizens of every country. History has repeatedly proved that only a great nation can create a great history. Only the great and great history people must have their corresponding historical figures as a typical example. Napoleon is the typical example of the Napoleon period of France, politics. As a high carrier of the language of ideology, of course, art does not allow, of course, to achieve the highest achievement of the world at that time. It can be said that without the world created by Napoleon, the art works that depict the world of his and his creation will be gone. In this sense, the artistic style of this period is also led and advocated by Napoleon. It may even be said to be created by Napoleon. On the other hand, the art works of this period have also achieved and sublimated the understanding of Napoleon and its exemplary significance in the later generations. Napoleon, because of his political and martial arts, was down. The life experience of Volt has left unmeasured material heritage and non material civilization for the later generations. Therefore, the researchers have always no lack of good people. However, in the field of art research, there are few valuable and comprehensive research achievements in the field of art research, such as skills, style, color and other aesthetic elements. The research method combined with the history chart, as well as the innovative research forms such as anti tradition, pluralism and inverse thinking, can be said to be a new breakthrough to some extent. I am trying to use these new methods, new thinking, and new forms to try to interpret another perhaps not well known Napoleon. In Napoleon's political career There are relevant historical records in each period. From the student artillery commander of brienna military academy, the first ruling, the coronation, the war, the battlefield, the social activities and the private life, more than 300 of his historical paintings are introduced, and more than 230 of his artists are depicted. Through the detailed analysis of the works of three different periods of Napoleon's life, this article analyzes the historical content and spiritual enlightenment presented by Napoleon for the theme of art. The first part is from the history of Napoleon from the descended aristocrat to the first in power. Time is the carrier, Napoleon from the birth to the military school, then from the military school to the artillery command, and then from the artillery command to the first period of the history of the history and the development course of his heart; the second part is that Napoleon became the first French ruling to the imperial heyday as the carrier, Napoleon in this period of the size of the size of failure and victory, and victory. In the third part, the third part is based on the period from its heyday to the power of the royal power, discussing how Napoleon went from the peak to failure, and revealed the reason why he failed in the final reason, and the spiritual inspiration it brought to us. And in this process, it should be combined with neoclassicism and waves. The two different artistic styles of the man's art reveal the causes of the diversity of Napoleon's art works and their artistic differences, and then analyze the exemplary significance of their artistic works. Through the in-depth analysis of the different expressive techniques and spiritual essence of the artists who have created the typical artistic image of Napoleon, the author sets up some new concepts and rules in the process of revealing the exemplary meaning of the art works, which is the value of this paper.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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