论绘画语言在油画静物写生中的重构与运用

发布时间：2018-06-22 16:41

本文选题：静物 + 绘画语言　；参考：《新疆师范大学》2017年硕士论文

【摘要】：静物画表现的是人类用双手所创造出来的和受人类活动影响的物体,在新的绘画语言诞生过程中扮演着重要的角色。它因静态属性为绘画创作主体提供了自由组合客观对象,探索绘画语言的条件。绘画语言是创作主体的一种自我表达方式,有着自身所特有的价值和意义,也具有鲜明的时代烙印。同一种绘画主题,不同的人会创作出风格样式不同的形式。在现当代,艺术家们期望通过油画静物写生,抛开形体的束缚和自然真实的表达,来探寻这一题材传达创作主体艺术思想和艺术情感的可能性。本文主要分六部分进行阐述,第一部分阐述的是研究的目的、意义、方法、研究现状以及创新点。第二部分主要说明本人为什么会选择静物为题材来进行绘画语言的实践。第三部分解释绘画语言的概念,梳理绘画语言的构成元素和表现形式。第四部分是对中西方画家静物作品绘画语言的个案分析,从中学习他们的绘画思想和语言,启发自己,为后面语言重构实践做准备。第五部分是本文的核心部分,在这一部分里笔者以带有重构性的创作行为对绘画语言进行实践,目的是革新自己以往的绘画语言。分别从色彩重构、造形重构以及写实语言重构这几个方面着手,通过这样的实践过程能让笔者发现自己绘画思想和语言上的转变,说明自己不再像以前那样,只顾闷着头画。第六部分是对绘画语言重构与运用的体会。重构实践是一个持续不断的过程,要想找到不同于以往的绘画语言,就必须一直坚持下去。
[Abstract]:Still life painting represents the objects created by human hands and affected by human activities, and plays an important role in the birth of the new painting language. Because of its static attribute, it provides the subject of painting creation with free combination of objective objects and explores the conditions of painting language. Painting language is a form of self-expression of creative subject, with its own unique value and significance, but also has a distinctive brand of the times. The same painting theme, different people will create different styles of form. In modern and contemporary times, artists hope to explore the possibility of conveying the artistic thought and emotion of the creative subject through painting still life, setting aside the bondage of the body and the natural and real expression. This paper is mainly divided into six parts, the first part is the purpose, significance, methods, research status and innovation. The second part mainly explains why I choose still life as the subject matter to practice painting language. The third part explains the concept of painting language, combing the elements and forms of painting language. The fourth part is the case analysis of painting language of Chinese and Western painters' still life works, from which they can learn their painting thought and language, enlighten themselves and prepare for the practice of language reconstruction. The fifth part is the core part of this paper. In this part, the author carries on the practice to the painting language with the reconstructive creation behavior, the purpose is to reform his painting language in the past. From the aspects of color reconstruction, shape reconstruction and realistic language reconstruction, the author can find the change of his painting thought and language through this practical process, which shows that he is no longer like before, only concerned with the head painting. The sixth part is the experience of reconstruction and application of painting language. Reconstruction practice is a continuous process, to find a painting language different from the past, we must stick to it all the time.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213

【参考文献】