浅谈题画诗与山水画的意象表现
发布时间:2018-06-22 23:29
本文选题:山水画 + 题画诗 ; 参考:《东北师范大学》2013年硕士论文
【摘要】:绘画与诗歌是人类重要的艺术门类,诗与画的关系问题是多年来中西方美学研究的重要的理论。而题画诗是介于诗歌与绘画之间,是一种特殊的美学现象,它将文学与绘画结合起来。题画诗是由画而产生,以往在研究绘画作品时多集中于对画家的笔墨功力,风格,传承与创新等问题,但对其介于绘画与文学之间又非主流的题画诗研究较少。诗与画虽然是两种不同的艺术学科,绘画是通过可视的形象来向人们表达可以感受到的实实在在的东西,描绘的是可观性,偏重于再现,理智,写实等。而诗则是通过文字来表达人的一种真实的情感,它们以抒情为主,注重表现心理,具有情节性叙述性,从本质上看它更偏向于表现,写意。虽然二者语言形式上有所区别,画为图形符号,诗为文字,但二者的审美特征艺术形象的塑造都有着鲜明的共性,它们都打破了时空的界限,达到人与自然的统一和谐,创造了特有的意境与审美追求。本文以山水题画诗为中心,探究中国诗画艺术凸显的独特审美意境。全文从山水画与题画诗的界定与功能入手,着重分析了山水画与题画诗在画面中的意象体现,分别论述了山水画的空间意识,讨论了山水画的取景构图,虚实表现手法对画面精神的作用。又从题画诗的意象与思想内涵入手,,分析古典诗词的特点与表现。最后通过“诗画一律”的特有艺术体现突出山水画与题画诗打破时空界限,题材界限,互相融合的艺术境界。虽然随着现代经济和政治的繁荣发展,我们无论从精神上还是物质上都受到现代的需求,大量的电脑图片或是新的艺术形式的出现,绘画开始商业化职业化,但无论怎样艺术不能背离中国的文化传统,更不能缺失“精神”内涵,特别是在中国画上。本文就是通过诗画结合这种艺术表现方式来了解其作品更深层次的精神内涵,通过对各时代作品与题诗的具体分析体会文人思想的重要作用,联系当代的艺术作品阐释思想文化内涵的重要性。以山水画与题画诗相融合的种种艺术表现形式启示“中国精神文化”的独特艺术魅力及其重要性。
[Abstract]:Painting and poetry are an important category of art for human beings. The relationship between poetry and painting has been an important theory in the study of aesthetics in China and the West for many years. Painting poem is a special aesthetic phenomenon between poetry and painting. It combines literature with painting. The painting poem is produced by painting. In the past, when studying painting works, most of them focused on the painters' ability, style, inheritance and innovation, but there was little research on the painting poems which were not the mainstream between painting and literature. Although poetry and painting are two different artistic disciplines, painting is to express to people through the visual image can feel the real things, depicting the considerable, emphasis on reproduction, reason, realism and so on. Poetry, on the other hand, expresses a kind of real emotion through words. They are mainly lyric, pay attention to expressing psychology, and have plot narration. In essence, they are more inclined to express, freehand brushwork. Although the two languages are different in form, they are drawn as graphic symbols and poems as words, but their aesthetic characteristics, artistic image shaping have distinct commonness, they both break the boundary of time and space, and achieve the unity and harmony between man and nature. Created a unique artistic conception and aesthetic pursuit. This paper focuses on landscape painting poems and explores the unique aesthetic conception of Chinese poetry and painting art. This paper starts with the definition and function of landscape painting and painting poem, analyzes the image embodiment of landscape painting and poem, discusses the space consciousness of landscape painting, and discusses the composition of landscape painting. The effect of the method of virtual reality expression on the spirit of the picture. It also analyzes the characteristics and expression of classical poetry from the perspective of image and ideological connotation of pictorial poems. Finally, through the unique art of "the Unification of Poetry and painting", it highlights the artistic realm of landscape painting and painting poem, which breaks the boundary of time and space, the boundary of subject matter, and the fusion of each other. Although with the prosperity and development of modern economy and politics, we are both spiritually and materially in need of modern times. With the emergence of a large number of computer pictures or new art forms, painting has become a commercial profession. But no matter how the art can not deviate from the Chinese cultural tradition, can not lack the "spirit" connotation, especially in the Chinese painting. This article is to understand the deeper spiritual connotation of his works through the combination of poetry and painting, and to understand the important role of literati thought through the concrete analysis of the works and poems of various times. The importance of interpreting the connotation of ideology and culture in relation to contemporary works of art. The unique artistic charm and importance of "Chinese spiritual culture" are revealed by the various artistic expressions of the combination of landscape painting and painting poems.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212;I207.22
【参考文献】
相关期刊论文 前1条
1 洪毅然;形象与意象[J];文艺研究;1987年04期
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