克孜尔石窟壁画“天雨花”图像谱系研究

发布时间：2018-06-22 23:37

本文选题：克孜尔石窟壁画 + “天雨花”　；参考：《湖北美术学院》2016年硕士论文

【摘要】：本文讨论的是克孜尔石窟壁画中花的图像谱系。所谓花的图像谱系即克孜尔石窟壁画中大量、反复出现的由不同形态的花、花树构成的图像系列。并依据“天雨众花”等佛教典故,将其命名为“天雨花”。文章立足于前人诸多业已成熟的研究成果,将讨论重点投射于克孜尔石窟壁画中较为典型、具有多重文化内涵和审美意味的“天雨花”代表性图形。按照壁画中“天雨花”的类别、构成形态以及在壁画中的分布与应用进行梳理、归纳与解析,并从宗教文化、民族体认、视觉审美等多角度来考察和探究“天雨花”在克孜尔石窟壁画中的文化象征作用、心理情感作用、审美装饰作用。同时,通过与其他文化(印度文化、犍陀罗文化、中原文化)影响下的石窟艺术中花朵图象的运用相比较,论证克孜尔石窟壁画艺术中“天雨花”图像谱系的特殊价值及其映射的本土文化特征。
[Abstract]:This paper discusses the image pedigree of flowers in the murals of Kizil grottoes. The image genealogy of the so-called flower is a series of images made up of different flowers and trees in a large number of murals in Kizil Grottoes. And according to the Buddhist allusions such as "Tianyu Flower", it is named "Tianyuhua". Based on a number of mature research results, this paper focuses on the representative figure of "Tianyuhua", which is typical in the murals of Kizil grottoes and has multiple cultural connotations and aesthetic connotations. According to the category, form, distribution and application of the mural, the author summarizes and analyzes it, and recognizes it from the religious culture and the nation. In this paper, the author explores the cultural symbolism, psychological emotion and aesthetic decoration of Tianyu Flower in the murals of Kizil Grottoes from many angles, such as visual aesthetics and so on. At the same time, by comparing the use of flower images in grottoes art under the influence of other cultures (Indian culture, Gandhara culture, Central Plains culture), This paper demonstrates the special value of the image pedigree of Tianyu Flower in the murals of Kizil Grottoes and its local cultural features.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J218.6

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