论当代版画创作的一种介入尝试

发布时间：2018-06-22 23:47

本文选题：回望 + 当代版画　；参考：《鲁迅美术学院》2017年硕士论文

【摘要】：艺术多元而高速发展的今天,版画作为众多艺术媒介之一,呈现出前所未有的绚丽和复杂的面貌。回顾漫长的艺术史,我们发现版画所占的篇幅或许不多,但其间的每一笔却都生动而有力。不久的将来,最初的“版画”会随时间流逝而自我消解,或又如从前般再次盛放,是今天的每一位版画从业者所必须面对的。深度“回望”中国版画历史,研究版画发展规律,立足“古典”木刻版画并从中凝练中国传统艺术审美特质和精神内涵,从经典中汲取营养是当代版画创作的重要途径,也是众多版画家的共识。今天的“版画人”如何研究创作版画、推广版画,续写版画艺术史;当代版画如何继承民族艺术精髓;版画如何重现历史上的光芒已成为一个个重要命题,“版画”艺术的新篇章正待书写。本文旨在从当代版画的形态以及当代版画创作的现状和问题出发,通过“回望”中国传统木刻版画本体进而凝练中国传统绘画艺术的内在审美规律和精神内涵,梳理相关版画史文献,总结传统版画在发展中的演进特点,结合自身创作思考实践,说明研究借鉴传统的必要性。探索一种既立足于传统又积极发展的当代版画创作思路方法。介绍中国传统版画艺术,拓展当代版画创作的可能性,为研究继承传统架接当代的进行版画创作,推广版画助力版画艺术再次盛放起到参考和推动作用。通过课题研究,梳理传统版画的发展演进特点,通过版画总结中国传统艺术的审美规律和精神内涵,在自我学习与思考的基础上,探讨传统艺术内涵在今天的重要性。探寻根植于传统,抒发民族情怀,准确介入当代版画创作的角度,拓宽当代版画创作的路径,力争在版画研究和版画创作中为弘扬中国气派,崇尚文化自信贡献一份力量。
[Abstract]:With the rapid development of art, printmaking, as one of many art media, presents an unprecedented gorgeous and complex appearance. Looking back at the long history of art, we find that prints may not occupy much space, but each stroke is vivid and powerful. In the near future, the original printmaking will dissolve itself over time, or bloom again as before, which every printer must face today. Looking back deeply at the history of Chinese printmaking, studying the law of printmaking development, basing on "classical" woodcut prints and condensing the aesthetic characteristics and spiritual connotations of Chinese traditional art, and drawing nutrition from the classics are the important ways to create contemporary printmaking. It is also the consensus of many printmakers. How today's "printmaker" studies how to create prints, popularize them, and continue the history of printmaking; how contemporary printmaking inherits the essence of national art; and how to reproduce the brilliance of history has become an important proposition. A new chapter in the art of printmaking is waiting to be written. The purpose of this paper is to set out from the form of contemporary print and the present situation and problems of the creation of contemporary print, through "looking back" at the Noumenon of Chinese traditional woodcut prints and then condensing the inherent aesthetic law and spiritual connotation of Chinese traditional painting art. Combing relevant historical documents of printmaking, summing up the evolution characteristics of traditional printmaking in the development, combining with its own creative thinking practice, this paper explains the necessity of studying and learning from tradition. Explore a traditional and positive development of contemporary printmaking creative thinking method. This paper introduces the Chinese traditional printmaking art, expands the possibility of contemporary printmaking creation, and plays a reference and promotion role in studying and inheriting the traditional frame for contemporary printmaking creation and popularizing the printmaking art to aid the printmaking art blooming again. Through the research of the subject, combing the characteristics of the development and evolution of the traditional printmaking, summarizing the aesthetic law and spiritual connotation of the Chinese traditional art through the printmaking, on the basis of self-study and thinking, this paper discusses the importance of the connotation of the traditional art in the present day. To explore the traditional roots, express national feelings, accurately intervene in the angle of contemporary print creation, broaden the path of contemporary print creation, and strive to contribute to the promotion of Chinese style and cultural self-confidence in print research and print creation.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

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