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山东水彩画审美特征研究

发布时间:2018-06-23 08:24

  本文选题:山东水彩画 + 审美特征 ; 参考:《西安美术学院》2014年硕士论文


【摘要】:水彩画在中国的发展已经过了近百年的探索历程,中国水彩画的审美体现出既吸取了中国绘画精髓,又融合了西方绘画优势的特征。随着水彩画创作团体在不同区域的不断壮大,水彩画在绘画风格、技法和创作题材上也日益丰富,具有地域特色的水彩画作品逐渐形成。现在中国水彩画的发展已进入革新的时期,呈现出繁荣的局面。山东水彩画是全国水彩画发展不可或缺的重要力量,它在齐鲁文化的影响下伴随着中国水彩画的发展不断成长,经历了一个持续探索和不断完善的过程,形成了自己独特的审美特征。山东是“礼仪之邦”,民风淳朴、文化底蕴深厚,山东水彩画家将山东的文化结合传统美学精神主动的运用到自己的水彩画创作中,使其具有像大海般广袤、大气、包容、厚重的艺术个性并形成了别具特色的审美特征。 本文主要通过三部分来论述山东水彩画形成发展的脉络、自身特征的纵向分析与全国横向比较得出清晰的山东水彩画的审美特征面貌及在发展过程中存在的优势与不足。第一部分,从时代背景与文化背景对山东水彩画的形成产生的影响来梳理起山东水彩画形成发展的概貌。第二部分,,通过纵向分析山东水彩画在风格、题材、技法上的特点来体现山东水彩画的审美特征。第三部分,通过横向与全国水彩发展水平较突出的东北、湖北、广州地区的对比,进一步深入阐述山东水彩画在审美特征上与他们的异同点。第四部分,主要是对山东水彩画未来发展的思考,既要肯定自身优点又要对存在的不足加以思考改进,力求使山东水彩画在以后的创作中既表现出民族魂魄又具有地域特色,使山东水彩画的审美特征以更明确的姿态展现在全国水彩画的行列。
[Abstract]:The development of watercolor painting in China has passed a hundred years of exploration. The aesthetic expression of Chinese watercolor painting not only absorbs the essence of Chinese painting, but also integrates the advantages of western painting. With the growing of watercolor creation groups in different regions, watercolor painting in the painting style, techniques and creative themes are increasingly rich, with regional characteristics of watercolor works gradually formed. Now the development of Chinese watercolor painting has entered a period of innovation, showing a prosperous situation. Shandong watercolor painting is an indispensable and important force in the development of national watercolor painting. Under the influence of Qilu culture, it has experienced a process of continuous exploration and continuous improvement along with the development of Chinese watercolor painting. Formed their own unique aesthetic characteristics. Shandong is a "state of etiquette", with a simple folk style and profound cultural background. Shandong watercolor painters take the initiative to apply Shandong's culture in combination with the traditional aesthetic spirit to their watercolor painting creation, making it as vast, atmospheric and inclusive as the sea. Heavy artistic personality and formed a unique aesthetic characteristics. This paper mainly discusses the development of Shandong watercolor painting through three parts, the longitudinal analysis of its own characteristics and the national horizontal comparison of the aesthetic features of Shandong watercolor painting, as well as the advantages and disadvantages in the process of development. The first part, from the background of the times and cultural background of the formation of Shandong watercolor painting to sort out the formation and development of Shandong watercolor. The second part, through the longitudinal analysis of the characteristics of Shandong watercolor painting in style, subject matter, techniques to reflect the aesthetic characteristics of Shandong watercolor painting. The third part, through the horizontal and national watercolor development level of the Northeast, Hubei, Guangzhou area contrast, further in-depth elaboration of Shandong watercolor painting in aesthetic characteristics and their similarities and differences. The fourth part is mainly thinking about the future development of Shandong watercolor painting. We should not only affirm its own advantages but also improve its shortcomings, and strive to make Shandong watercolor painting show both national soul and regional characteristics in the future creation. So that the aesthetic features of Shandong watercolor painting in a more explicit posture in the ranks of the national watercolor painting.
【学位授予单位】:西安美术学院
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J215

【参考文献】

相关期刊论文 前2条

1 侯安智;;中国当代水彩艺术现状之分析[J];美术观察;2006年10期

2 潘长臻;中国水彩画发展的道路[J];新美术;1993年02期



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