中国当代工笔画创作与日本画琳派的融通

发布时间：2018-07-06 21:20

本文选题：日本画琳派 + 当代工笔画　；参考：《四川师范大学》2013年硕士论文

【摘要】：研究日本琳派的绘画样式及风格,对其色彩、构成、精神、进行分析解构。通过比较其纹样和本民族传统纹样,来探索线的装饰美及造型的夸张。并将其用于自己的绘画创作中,并且梳理自我绘画过程的心得体会。寻找日本琳派绘画与当代工笔画的嫁接点,分析当代工笔画的艺术表现形式以及所呈现的特点。从日本琳派的发展成因到给我带来的启迪与思考,本文以探索再创造的思路梳理脉络：查阅大量的关于依屋宗达、本阿弥光悦、尾形光琳、尾形乾山、酒井抱一等画家的作品,分析作品中的装饰意趣点,如何运用色彩、构成、纹样并体现其本土精神：收集中日受其影响的当代绘画作品,其中包括表现风格、绘画样式、绘画语境;琳派带给我的绘画启迪,以及如何运用并衍生出自己的绘画风格。
[Abstract]:This paper studies the painting style and style of Japanese Lin School, and analyzes and deconstructs its color, composition, spirit. By comparing its patterns with the traditional patterns of the nation, it explores the decorative beauty and exaggeration of the lines. And use it in their own painting creation, and comb the experience of self-painting process. This paper looks for the grafting point between Japanese Linpai painting and contemporary fine brushwork, and analyzes the artistic forms and features of contemporary meticulous painting. From the cause of the development of the Japanese Lin School to the inspiration and thinking that brought me, this article combs the thread with the idea of exploring the re-creation: consulting a large number of works of the artists such as Yiwu Zongda, Ben Amita Guangyue, tail Guanglin, tail Qianshan, Sakai Huoyi, etc. Analysis of the decorative interest points in the works, how to use color, composition, patterns and reflect its local spirit: collect the contemporary paintings, including performance style, painting context; Linpai bring me inspiration, and how to use and derive their own painting style.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

【参考文献】