吴彬山水画研究

发布时间：2018-07-06 21:30

本文选题：吴彬 + 山水画　；参考：《渤海大学》2017年硕士论文

【摘要】：吴彬生活在晚明,约在万历年间,吴彬被召入宫廷,成为一名专职画家。宫廷管理松散,吴彬得以潜心研究佛法和山水画创作,在此时创作出了异于他人的山水画。吴彬的山水画虽以奇怪闻名,但他也有并非奇异的山水画存世。研究之初,根据吴彬在作品中的题跋和文献中对他的评述,对吴彬山水画取法和形成风格之间的关系展开探讨。通过系统的研究吴彬山水画取法问题,判定吴彬取法各家形成的山水画风格。其次,解析吴彬特异的笔墨语言,对比分析吴彬山水画的奇特之处。研究发现,吴彬的山水画中的奇异笔墨语言并不是他自身独有的,而是有一定的传承性在其中。最后,将吴彬山水画研究成果运用到山水画创作实践并作出归纳,将新材料研究实践成果与山水画创作理论相结合,探索山水画创新创作方法。
[Abstract]:Wu Bin lived in the late Ming Dynasty, about the Wanli years, Wu Bin was called into the court to become a full-time painter. The court was loosely managed, and Wu Bin was able to concentrate on Buddhism and landscape painting, and created landscape paintings that were different from others. Although Wu Bin's landscape paintings are famous for their strange nature, he also has a landscape painting that is not strange. At the beginning of the study, according to the comments of Wu Bin in his works and literature, the relationship between Wu Bin landscape painting and the style of formation was discussed. Through the systematic study of the Wu Bin landscape painting method, determine the style of the landscape painting formed by the Wu Bin method. Second, the analysis of Wu Bin specific ink and pen language, contrast analysis of Wu Bin landscape painting strange place. The study found that Wu Bin's unique language in landscape painting is not his own, but has a certain inheritance in it. Finally, apply the research results of Wu Bin landscape painting to landscape painting creation practice and make a summary, combine the new material research practice results with the landscape painting creation theory, explore the creative method of landscape painting.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【参考文献】