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西方当代油画中时间延续性表现形式探究

发布时间:2018-07-07 15:53

  本文选题:油画 + 时间 ; 参考:《西南大学》2017年硕士论文


【摘要】:正如莱辛在《拉奥孔》中所提到的,“一切物体不仅在空间中存在,而且也在时间中存在??在它的持续期内的每一顷刻都可以现出不同的样子,并且和其它事物发生不同的关系。”油画中对于时间的表现,尤其是事物变化过程的时间范围也具有一定的研究价值。西方现代绘画对后世的影响无疑是巨大的,更成为改革开放后我国油画创作与发展的丰厚土壤。但是作为现代绘画有别于20世纪之前绘画的重要部分是对时间过程的表现却鲜有专著提及或探讨。因此,探究立体主义和未来主义的时间延续性表现形式对我国当代油画发展极具价值。本文的第一部分先对相关概念进行了阐释与辨析,并概念的来源与发展进行了分析。“时间延续性”,是指时间的持续,是一种动态的、延时的时间过程。绘画中的时间延续性是指在二维平面上表现出对时间变化过程的描绘。如,将不同时间发生的事或图像放在同一个画面里来表现时间的延续性。“时间延续性绘画”,是指绘画中对时间的表现具有一定的持续性,是一定时间范围内的事物变化过程。即同一画面中出现同一事物不同时刻或不同时间段的画面。时间延续性油画从早期无意识阶段到萌芽与发展阶段再到最后的深远影响阶段是它的发展历程。本文的第二部分是全文论述的重点,也是具体的对时间延续性油画的表现形式进行了具体的分析。当代油画尤其是西方当代油画的图式特点主要有视角的移动、重复与连续、轨迹与模糊、情节的时间。在每一个图式特点中,分别列举了一些西方当代艺术家以及个别国内艺术家,用这些艺术家的作品进行逐一的分析研究。这些图式的特点主要受到了之前立体主义和未来主义绘画中对时间延续性的表现手法的影响,当代油画作品中或多或少的使用到了前人的表现形式,但也有所不同,其中又融合了其他艺术形式的特点,如摄影艺术、文学艺术等。本文的第三部分分析了研究西方当代油画中时间延续性表现形式的意义和对当代我国油画发展的价值。提出了有利于我国当下多元化的艺术观念发展,有利于新的视觉空间的拓展,有利于艺术家创造性和个性化的表达,有利于满足大众对视觉平面多样性和审美认知的需求。时间的延续性表现作为绘画中极为重要的部分,在20世纪西方现代绘画中对时间表现的画派相继出现,它们的绘画题材和表现形式与传统的绘画观念相悖。以往具像绘画中静止的时间概念,在现代绘画中消失了,转而代之以使人眼花缭乱的时空景象表现。无论是立体主义、未来主义,现代画家在时间的延续性表现上做出的探索成为区别于之前绘画的重要标志,也对当下国内画家的有重大的借鉴和研究价值。时间延续性油画的发展会提供更高的可能性对于不同油画风格,对写实主义来说,提供了对真实空间、真实时间的写实表达的方式,打破了传统写实主义固有的风格和创作模式;对于表现主义来说,提供了更多可供表现的元素,有利于艺术家创造性和个性化的突破;对于90年以来的新生代画家1来说,提供了一个创作的主题,时间的延续性也打开了油画表现的更多可能性。对时间的表达是现代工业文明和科技等发展,是各种技术手段如摄影摄像、影视媒体等的发展,使得人们或者艺术家不在满足与传统的空间表现方式,建立和开拓新的艺术语言的空间思维势在必行。油画的发展必定也是顺应了社会的发展,顺应了时代的变迁,是当下社会中特有的存在状态。这种发展与突破也会丰富艺术家的创作力和个性化魅力,新奇、刺激的视觉感受,也是艺术家的审美高度、观念和风格的体现,更是艺术家成熟独立的艺术价值体现。
[Abstract]:As Lessing mentioned in Lao Kong, "all objects exist not only in space, but also in time?? each instant in its duration can make a different appearance and have a different relationship with other things." the time range of the oil painting, especially the time range of the changing process of things. It also has a certain value of research. The influence of western modern painting on later generations is undoubtedly huge, and it has become a rich soil for the creation and development of oil painting in China after the reform and opening up. However, as an important part of modern painting, the important part of painting before the twentieth Century is seldom mentioned or discussed. The time continuity expression of the futurism and futurism is of great value to the development of Chinese contemporary oil painting. The first part of this article first explains and discriminate the related concepts, and analyzes the origin and development of the concept. "Time continuity" refers to the continuity of time, a dynamic and time-lapse time process. Inter continuity refers to the representation of the process of time change on a two-dimensional plane. For example, the continuity of time by putting things or images of different times in the same picture to show the continuity of time. "Time continuity painting" refers to the continuity of time performance in painting and the process of changing things within a certain period of time. The second part of this article is the focus of the full text and the manifestation of the time continuity oil painting in the second part of this paper. The pattern features of contemporary oil painting, especially in western contemporary oil painting, are mainly the movement of visual angle, repetition and continuity, track and blurring, and the time of the plot. In each pattern, some contemporary western artists and other domestic artists are listed, and the works of these artists are divided into one by one. The characteristics of these schemata are mainly influenced by the expressive techniques of the continuity of the time in the previous cubism and futurism. The contemporary oil paintings are more or less used in the form of predecessors, but they are also different, including the features of other art forms, such as photography, literature and art. The third part of this paper analyzes the significance of the study of the continuity of the time in modern western oil painting and the value to the development of contemporary Chinese oil painting. It puts forward the development of the artistic concept which is beneficial to the present pluralism of our country, is beneficial to the development of the new visual space, is beneficial to the creative and individualized expression of the artist, and is beneficial to the great satisfaction of the Chinese painting. The demand for visual plane diversity and aesthetic cognition. The continuity of time is a very important part of painting. In the western modern painting in twentieth Century, the school of time displayed in succession. Their painting themes and forms are contrary to the traditional concept of painting. The generation of painting vanished and replaced with a dazzling scene of space-time. Whether it was Cubism, futurism, the exploration of the continuity of the time made by the modern painter became an important symbol that distinguished from the previous painting, but also a great reference and research value for the contemporary Chinese painters. The development will provide higher possibilities for different oil painting styles and realism, providing a realistic expression of real space and real time, breaking the traditional style and creative pattern of traditional realism; for expressionism, it provides more expressive elements to the creativity and personality of the artist. For 90 years, the new generation painter 1 has provided a creative theme, and the continuity of time has opened more possibilities for oil painting performance. The expression of time is the development of modern industrial civilization and science and technology, and the development of various technical means such as photography and video, film and television media and so on, making people or artists not. The development of oil painting is bound to conform to the development of the society, conform to the changes of the times, and be the unique state of the present society. This development and breakthrough will also enrich the creative and personalized charm and novelty of the artists. Stimulating visual perception is also the embodiment of artists' aesthetic height, concept and style, and is also the embodiment of artistic value of mature and independent artists.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J213

【参考文献】

相关博士学位论文 前2条

1 兰友利;绘画的时间性[D];中国美术学院;2013年

2 尚z,

本文编号:2105462


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