论唐代中国人物画服饰的装饰性

发布时间：2018-07-08 08:56

本文选题：唐代 + 装饰性　；参考：《沈阳大学》2014年硕士论文

【摘要】：中国画是中国独特的绘画艺术，是中国传统文化的艺术珍宝。在中国这个具有神秘色彩的文明古国中，中国画独特的艺术风格、书画韵律、笔情墨趣、表现形式等都带给我们具有民族色彩的视觉冲击力。在中华几千年的文明积淀里，中国画种便是这智慧的结晶。在中国的原始社会时期，中国画所具有的装饰性就已经有所表现。在石壁上或在一些兽首、服饰、装饰物、器具、狩猎工具等等，虽还没有用纸张或者绢本的形式展示出中国画，但是其整体的构图形式美、装饰感都已经开始体现。从最开始的实用性演变成装饰性，抒发画家之情怀，是经历了从原始社会走入封建社会的时期。唐代中国画，是唐代在中国美术史中的地位表现形式之一。研究唐代中国画的装饰性是一个广大的课题，它需要探索中国源远流长的历史，还需要研究中国画的发展与演变，在这一时期的表现形式和特征体现以及形成独特的艺术风格的根源等。着手于唐代中国人物画中服饰的装饰性这一点来阐释画作的装饰性，给整幅画作带来的影响，是从一个点来向面进行分析，更能够深入的理解这一指定时期的中国画的特点。在唐代，中国画的发展就如同唐代的历史一样辉煌，涌现出了许多的绘画大家，比如被后人称为“画圣”的吴道子，还有唐代早期的阎立本兄弟、唐代中期擅长画仕女图的张萱、周f ，来自西域擅画佛教的尉迟乙僧父子等等，他们的人物画作都具有时代的特征，表现形式虽各异，但都彰显了中国画的艺术特点，就是中国人物画的装饰性。中国人物画的装饰性，是基于实际的精神升华的再现，是中国艺术家们诗意的理解大自然生活的结果，中国画历来以线为主来表达意境情感的方式，是中国画中最为主要的装饰性之一。唐代人物画作大多以宗教人物和宫廷人物为主，其人物具有这一时期的特点，，画作中服饰的装饰性既能明确的表现为唐代时期的作品，也能在其装饰性中找到唐代人们的生活情趣，更加能够为我们探索和研究唐代历史人文起着重要作用，同时也能为我们总结和发展本国艺术起到至关重要的实例作用。本文共分为五个部分。第一部分主要阐述唐代中国人物画的特点。在阐述其特点的同时，要简单分析唐代服饰的特点、样式等，从而更好的为阐述唐代人物画特点做铺垫。唐代人物画的特点与唐代服饰有很大的联系，画面中人物服饰的样式、颜色、形式感等都是为了展现人物的身份特征及心理活动等，所以从服饰着手阐述唐代中国人物画的特点很有必要。第二部分是通过阐述中国画的装饰美及唐代工笔人物画的“装饰性”和“绘画性”，进而具体分析唐代人物画的装饰性。无论是在唐代绘画中的图式上还是色彩上、造型上、线条上，都可明确的分析出其“装饰性”和“绘画性”，在“装饰性”和“绘画性”中，再细化分析它所具有的特点。第三部分是最为重点的部分，第一、二部分都是为这部分做铺垫，来阐述唐代中国人物画服饰的装饰性，既然已经有前面对唐代服饰的分析和唐代人物画“装饰性”和“绘画性”的分析，这部分主要着手于对唐代人物画服饰装饰性的“共性”与“个性”的分析，通过辩证的理论来分析唐代中国人物画服饰装饰性的必然性。第四部分是对唐代中国人物画服饰的装饰性进行阐释，多为实例展示和实例分析的方式来分析唐代整体的人物画中人物服饰的装饰性对整幅画作的装饰性影响。实例是最具说服力的实证，用实例说话，能够更好的解读唐代人物画的装饰性。第五部分是通过对唐代人物画服饰的装饰性的分析，探究对当今艺术的影响。研究唐代中国人物画服饰的装饰性，就是研究唐时期人们的生活、社会、经济和精神，使得我们更能够身临其境的体悟大唐盛世的繁荣景象，研究它的装饰性更是在研究唐代艺术的美学价值，针对其特定的历史时期、历史人物和创作技巧，完善的总结和归纳唐代艺术对中国的重要影响，对我们在艺术创作上具有发展和创新的研究意义。本文通过对唐代历史、服饰特征、人物画的装饰性及绘画性、共性与个性辩证的关系等详细分析，进而阐述中国人物画服饰的装饰性，其主要目的是为其能够更好的为当今社会所用。研究唐代的人文、艺术等，能够深深的体悟唐代文明，为探究唐代艺术具有深远的影响。
[Abstract]:Chinese painting is a unique art of painting in China , and it is an art treasure of Chinese traditional culture . In this ancient country with mysterious color , Chinese painting has unique artistic style , calligraphy and painting rhythm , writing style , expression and so on , which brings us the visual impact of national color . In Chinese civilization accumulation of thousands of years , Chinese painting is the crystallization of this wisdom .

In China ' s primitive society , Chinese painting has been shown to be decorative . On the stone wall or in some animals , clothes , decorations , implements , hunting tools and so on , although the Chinese painting has not been shown in the form of paper or silk , its overall composition is beautiful and decorative feeling has already begun to reflect . From the most practical application to decoration , the lyric painter ' s feelings are through the period from the primitive society to the feudal society .

The Chinese painting in the Tang Dynasty is one of the dominant forms of the Tang Dynasty in the history of Chinese art .

In the Tang Dynasty , the development of Chinese painting was as brilliant as the history of the Tang Dynasty , and there appeared many paintings , such as Wu Daozi , who was later known as the " painting sheng " , and Zhang Xuan , Zhou f from the early Tang Dynasty .

The decoration of Chinese painting is based on the actual spiritual sublimation , which is the result of Chinese artist ' s poetic understanding of nature . The Chinese painting is one of the most important decorations in Chinese painting .

This paper is divided into five parts . The first part mainly expounds the characteristics of Chinese characters in the Tang Dynasty .

The second part is to analyze the decoration of Chinese painting and the " decorative " and " painting ability " of Chinese painting in Tang Dynasty , and then analyze the decorative character of Tang Dynasty ' s human figure painting . Whether in the pattern or the color of the painting of Tang Dynasty , the shape and the line , it can clearly analyze its " decorative " and " painting ability " , in " decorative " and " painting " , and further refine the characteristic of it .

The third part is the most important part , and the first part and the second part are used for this part to explain the decorative character of the Chinese portrait clothing in the Tang Dynasty . Since the analysis of the Tang Dynasty clothes and the analysis of the " decorative " and " painting ability " of the Tang Dynasty , this part mainly focused on the analysis of the " commonness " and " individuality " of the costume decoration of the Tang Dynasty , and analyzed the inevitability of the decoration of Chinese characters in the Tang Dynasty through the dialectical theory .

The fourth part is to explain the decorative character of the costume of Chinese characters in the Tang Dynasty , and analyze the decorative effect of the decoration on the whole painting in the whole portrait of the Tang Dynasty .

The fifth part is to study the influence of Tang Dynasty ' s life , society , economy and spirit through the analysis of the decoration of Tang Dynasty .

This paper analyzes the history , clothing feature , decorative character and the relation of painting ability , commonness and personality dialectics of the Tang Dynasty , and then expounds the decorative character of Chinese portrait clothing . The main purpose of this article is to study the humanity , art and so on in the Tang Dynasty , and to study the culture and art of Tang Dynasty deeply and to explore the profound influence of Tang Dynasty art .
【学位授予单位】：沈阳大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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