宋代山水画中“水”的艺术探究

发布时间：2018-07-08 09:36

本文选题：宋代山水画 + 水　；参考：《河北大学》2013年硕士论文

【摘要】：在中国山水文化中，水早已不再单纯的作为物质而存在,而具有了丰富的精神内涵，又在艺术作品中被赋予了各种各样的情绪，具有了强烈的审美性。水是缥缈的，水是博大的，水是柔弱的，水是宽容的，水在中国文化发展中被不断地加入了丰富的哲学意蕴和人格内涵，画家用自己的情感和智慧，借笔墨色彩书写着自然的魅力，使其具有了独立的精神属性和审美意义，而构成这一玄机的就是水。山水画的形成和发展与中国这种传统的文化积淀是密不可分的。本文把传统山水画中的“水”作为一个主要的研究对象，把“水”在山水画中的精神内涵在审美的立场上展现出来，揭示“水”在传统山水画中不可忽视的地位与意义，文章分为四部分：第一部分，宋代山水画中“水”的文化内涵概述及有关宋代山水画坛和宋代“水图”的变革；第二部分，在中国传统文化的层面上，分析“水”在宋代山水画中蕴含的哲学思想，以及在佛、道、禅三家思想的影响下山水画审美观和艺术作品中所独有的审美特征；第三部分，，分别从线条、笔墨、空间三方面论及的形式美，以及山水画意境等方面论述“水”在宋代山水画中的整体艺术特征；第四部分，总结“水”在山水画中的意义，以及现代绘画艺术对于传统文化的传承。本文通过审视古代哲学家们的思想姿态和对“水”的考察，以及对于宋代文人雅士的艺术审美影响，以期探测出“水”在宋代山水画中的主要艺术特征，并反思现代绘画艺术对于中华传统文化的传承与发扬。
[Abstract]:In Chinese landscape culture, water no longer simply exists as material, but has rich spiritual connotation, and has been endowed with a variety of emotions in the works of art, with a strong aesthetic. Water is ethereal, water is weak, water is tolerant. In the development of Chinese culture, water is constantly added to the rich philosophical meaning and personality connotation, the painter uses his own emotion and wisdom. The natural charm is written by ink and pen color, which makes it have independent spiritual attribute and aesthetic significance, which is formed by water. The formation and development of landscape painting is inseparable from the traditional cultural accumulation in China. This article regards the "water" in the traditional landscape painting as a main research object, displays the spiritual connotation of "water" in the landscape painting on the aesthetic standpoint, and reveals the position and significance of "water" in the traditional landscape painting. The article is divided into four parts: the first part is an overview of the cultural connotation of "water" in the landscape painting of the Song Dynasty and the changes related to the landscape painting circle of the Song Dynasty and the "water map" of the Song Dynasty; the second part, on the level of Chinese traditional culture, This paper analyzes the philosophical thoughts contained in "Water" in the landscape paintings of the Song Dynasty, as well as the unique aesthetic features in the aesthetic and artistic works of landscape painting under the influence of Buddhism, Taoism and Zen. The beauty of form discussed in three aspects of space, as well as the artistic conception of landscape painting, discusses the overall artistic characteristics of "water" in the landscape painting of the Song Dynasty, the fourth part, summarizes the significance of "water" in the landscape painting. And the inheritance of modern painting art to traditional culture. In this paper, the author examines the ideological posture of ancient philosophers and the investigation of "water", as well as the artistic aesthetic influence of the literati in the Song Dynasty, in order to find out the main artistic characteristics of "water" in the landscape painting of the Song Dynasty. And reflect on the inheritance and development of Chinese traditional culture in modern painting art.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】