昭化寺水陆壁画的形式语言研究

发布时间：2018-07-11 13:16

本文选题：宗教 + 水陆壁画　；参考：《河北联合大学》2014年硕士论文

【摘要】：昭化寺水陆壁画是宗教艺术中极为珍贵的艺术品，它的艺术价值可以和“敦煌壁画”和“永乐宫壁画”相媲美。它创作于明代嘉靖年间，以“三教合一”的宗教思想为背景，并且具有独特的宗教艺术题材，正是这样独特的背景和题材，才使它更具有研究价值。文章共分四章，从形式语言出发对昭化寺水陆壁画进行研究。第一章介绍了昭化寺水陆壁画的历史背景、国内外研究概况和现存水陆壁画的分布状况。第二章从壁画的题材和内容对昭化寺水陆壁画进行研究，，其中包括当时的宗教环境、宗教信仰、民间神祗崇拜等几方面。第三章从艺术语言出发，具体的介绍昭化寺水陆壁画拥有的形式语言特点。分别从构图审美、色彩搭配和造型手段这三方面进行细致的分析。最后一章主要从两方面对昭化寺水陆壁画展开探索，一方面是昭化寺水陆壁画在绘画史上所占的重要地位，另一方面是它对现今绘画的影响。通过这两方面的探索，揭示了水陆壁画的艺术价值和对现代中国人物绘画的贡献。形式语言可以说是最直观的视觉形态，也是艺术最重要的表述形式，具有十分深刻的学术内涵。通过理论联系实际及例举的方法，对课题进行研究探索。全文共分四章，对每小节细致的分析，逐层对昭化寺水陆壁画进行论述，最终在逻辑上把它们论述成一个整体。文章试通过对昭化寺水陆壁画进行分析，来体现昭化寺水陆壁画在形式语言方面的独特性，以及对艺术作品价值的再认识。同时，昭化寺水陆壁画的形式语言研究，对其它地区水陆壁画研究具有十分重要的现实意义。
[Abstract]:The water and land murals of Zhaohua Temple are extremely precious works of art in religious art, and their artistic value can be compared with Dunhuang murals and Yongle Palace murals. It was created in the Jiajing period of the Ming Dynasty, with the religious thought of "three religions in one" as the background, and it has a unique subject of religious art. It is such a unique background and subject matter that makes it more worthy of research. The article is divided into four chapters, starting from the formal language of Zhaohua Temple waterfront murals. The first chapter introduces the historical background of Zhaohua Temple's waterfront murals, the research situation at home and abroad and the distribution of existing waterfront murals. The second chapter studies the murals of Zhaohua Temple from the subject matter and content, including the religious environment, religious beliefs, folk worship and other aspects. The third chapter introduces the features of the formal language of Zhaohua Temple waterfront murals from the perspective of artistic language. Respectively from composition aesthetic, color collocation and modeling means of these three aspects of detailed analysis. The last chapter mainly explores the water and land murals of Zhaohua Temple from two aspects, on the one hand, the important position of the water and land murals in the painting history, on the other hand, its influence on the present painting. Through the exploration of these two aspects, it reveals the artistic value of waterfront murals and its contribution to modern Chinese figure painting. Formal language can be said to be the most intuitive visual form and the most important form of expression of art with profound academic connotation. By combining theory with practice and examples, the research on the subject is carried out. The full text is divided into four chapters, the detailed analysis of each section, layer by layer of Zhaohua Temple water and land murals are discussed, and finally they are logically discussed as a whole. This paper tries to analyze the water and land murals of Zhaohua Temple to reflect the uniqueness of the formal language and the re-understanding of the value of the works of art in the water and land murals of Zhaohua Temple. At the same time, the study of the formal language of the water and land murals in Zhaohua Temple is of great practical significance to the study of the water and land murals in other regions.
【学位授予单位】：河北联合大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.6

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