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中西绘画构图形式探索及研究

发布时间:2018-07-15 17:15
【摘要】:构图是绘画中的第一步,且在视觉艺术中也是不可或缺的要素之一。构图是艺术家为了表现作品的主题思想和美的效果,在画面中的空间和位置关系的处理,把个别或局部的形象组成艺术整体。南齐谢赫的著名的《六法》中,第五法是“经营位置”,用今天的话来说,这就是“构图”。可见自古以来.构图被认为是美术创作的一个重要的因素,是构成绘画形式的一个组成部分,为学习绘画和进行视觉艺术创作不可缺少的知识。无论是中国绘画还是西方绘画无论是肖像画还是静物画还是风景画都存在着构图问题。构图的成功与否直接影响到整个作品的成败。中国的绘画与西方的绘画都有着非常深邃的内蕴,但是又有着极大的不同,让人一眼就可以看出哪个是中国的绘画,哪个是西方的绘画,这很大程度上是因为中西方绘画构图的极大差别。本文运用文献研究法,主要通过以下六个方面来探索及研究中西方绘画构图形式:一、中西绘画构图概念的由来;二、中国绘画构图的特点及形式内容;三、西方绘画构图的特点及形式内容;四、中西绘画构图要素及其特点的比较;五、造成中西方构图差异的原因;六、中西方绘画构图的启示。本人希望经过笔者一段时间的悉心研究与探索能对中西绘画构图形式的比较、意义及其探索做出一定贡献,为后来学者提供一定的参考依据。
[Abstract]:Composition is one of the first steps in painting and one of the indispensable elements in visual art. Composition is an artist in order to show the theme of the work and the beauty of the effect, the processing of space and position in the picture, the image of the individual or local composition of the whole art. "Camp position", in today's words, is "composition". It is seen since ancient times that composition is considered an important factor in art creation, an integral part of the form of painting, and indispensable knowledge for painting and visual art creation. Whether it is Chinese painting or western painting, it is a portrait, whether it is a portrait or a portrait. There is a problem of composition in still life painting or landscape painting. The success or failure of the composition directly affects the success or failure of the whole work. Both Chinese painting and Western painting have a very profound connotation, but there are great differences. One can see which is Chinese painting, which is western painting, this is a great extent. It is because of the great difference between Chinese and Western painting composition. By using the literature research method, this paper mainly through the following six aspects to explore and study the form of Chinese and Western painting composition: first, the origin of the concept of the composition of Chinese and Western painting; two, the characteristics and form content of the composition of Chinese painting; three, the characteristics and form content of Western painting composition; four, The comparison of the elements and characteristics of the composition of the Chinese and Western paintings; five, the reasons for the differences in the composition of the Chinese and western composition; six, the inspiration of the composition of Chinese and Western paintings. I hope that after a period of time, the author's careful study and exploration can make some contributions to the comparison, significance and exploration of the form of the composition of Chinese and Western paintings, and provide some reference for the later scholars. Basis.
【学位授予单位】:大连工业大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J206

【参考文献】

相关期刊论文 前1条

1 吴觅;;论绘画创作中的构图与锤炼[J];科技信息;2007年08期



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