中国意象色彩在动画造型设计中的应用研究
发布时间：2018-07-15 17:15
【摘要】：在动画艺术中,色彩是最直接的视觉表现,它不但对动画内容和风格有着重要表现意义,还对观者的心理和情绪有着重要的影响。通常,一部动画片,色彩在场景中的运用能够增加动画情节的气氛烘托,以不同色彩的使用表现不同的场景氛围；在角色中的运用能够增加人物个性的表现,以不同的色彩表现不同的人物形象。能够给观众带来最直接的视觉体验。当然色彩也因不同国家的不同文化有着不同的表现内涵。 中国意象色彩作为本民族文化的一种重要视觉表现形式,它不但对传统文化中儒释道精神内涵有着重要体现,还对中华民族的人文精神有着重要表现。因此,将中国意象色彩运用于动画造型设计中,不但在色彩上起到了装饰作用,还在内涵上起到了对中华文化的继承与弘扬意义。特别是在全球一体化的时代背景下,动画艺术的民族化已成为世界动画发展的大趋势。只有民族的才是世界的,要在世界动画业中占有一席之地,我们更应该将民族艺术元素融入我国动画造型设计中,以此创作出具有中国民族特色的动画艺术。 本文通过较为系统的研究,分析了传统哲学思想对意象色彩的影响,总结出意象色彩的审美方式与表现形式,并在不同形式的动画中探索这些意象色彩的运用,分析对动画造型设计的影响表现。继而提出发展对策,总结出对民族性体现。这对于我们弘扬民族文化,制作出符合自身民族特色的动画片有着重要意义。
[Abstract]:In the animation art, color is the most direct visual expression, it not only has the important performance significance to the animation content and the style, but also has the important influence to the viewer's psychology and the emotion. Usually, the use of color in a scene can increase the atmosphere of the animation plot, with the use of different colors to express different scene atmosphere; in the role of the use of the character can increase the performance, Display different characters with different colors. Can bring the audience the most direct visual experience. Of course, color also has different connotations because of different cultures in different countries. As an important form of visual expression of our national culture, Chinese image color not only embodies the spiritual connotation of Confucianism, Buddhism and Taoism in traditional culture, but also has an important expression to the humanistic spirit of the Chinese nation. Therefore, the application of Chinese image color in animation modeling design not only plays a decorative role in color, but also plays an important role in inheriting and carrying forward Chinese culture. Especially in the background of global integration, the nationalization of animation art has become a major trend of animation development in the world. Only the national is the world, in order to occupy a place in the world animation industry, we should integrate the elements of national art into the animation design of our country to create animation art with Chinese national characteristics. Through a systematic study, this paper analyzes the influence of traditional philosophy on image color, summarizes the aesthetic mode and expression form of image color, and explores the application of these image colors in different forms of animation. Analysis of the impact on animation modeling design performance. Then put forward the development countermeasures, summed up the embodiment of the national character. This is of great significance for us to carry forward our national culture and produce cartoons that conform to our own national characteristics.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.7
本文编号：2124803
[Abstract]:In the animation art, color is the most direct visual expression, it not only has the important performance significance to the animation content and the style, but also has the important influence to the viewer's psychology and the emotion. Usually, the use of color in a scene can increase the atmosphere of the animation plot, with the use of different colors to express different scene atmosphere; in the role of the use of the character can increase the performance, Display different characters with different colors. Can bring the audience the most direct visual experience. Of course, color also has different connotations because of different cultures in different countries. As an important form of visual expression of our national culture, Chinese image color not only embodies the spiritual connotation of Confucianism, Buddhism and Taoism in traditional culture, but also has an important expression to the humanistic spirit of the Chinese nation. Therefore, the application of Chinese image color in animation modeling design not only plays a decorative role in color, but also plays an important role in inheriting and carrying forward Chinese culture. Especially in the background of global integration, the nationalization of animation art has become a major trend of animation development in the world. Only the national is the world, in order to occupy a place in the world animation industry, we should integrate the elements of national art into the animation design of our country to create animation art with Chinese national characteristics. Through a systematic study, this paper analyzes the influence of traditional philosophy on image color, summarizes the aesthetic mode and expression form of image color, and explores the application of these image colors in different forms of animation. Analysis of the impact on animation modeling design performance. Then put forward the development countermeasures, summed up the embodiment of the national character. This is of great significance for us to carry forward our national culture and produce cartoons that conform to our own national characteristics.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.7
【参考文献】
相关期刊论文 前10条
1 刘萃;;浅析色彩思维在动画设计中的运用[J];大众文艺;2012年18期
2 黎贯宇;;浅谈中国动画造型[J];黄河之声;2010年12期
3 孙晨晓;;中国动画现状及发展方向研究[J];黑龙江科技信息;2011年19期
4 孙慧佳;;动画大师钱家骏评传[J];吉林艺术学院学报;2009年06期
5 王文娟;五行与五色[J];美术观察;2005年03期
6 顾颖;;主观色彩在动画场景设计中的运用[J];美术界;2011年04期
7 吴耀华;中国画色彩语言的形式意象[J];美术研究;2001年04期
8 李森;奇妙的中国画色彩[J];美与时代;2005年06期
9 周立新;杨文婷;;浅析动画片《九色鹿》的艺术特色[J];江西科技师范学院学报;2010年05期
10 孟秀民;;意象色彩艺术语言的探索和研究[J];湖北美术学院学报;2009年02期
，本文编号：2124803
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2124803.html
