宋代画家江参里籍身世考略
发布时间：2018-07-15 17:59
【摘要】：生活在两宋交替之际的画家江参是江南山水画派重要传人。南宋邓椿《画继》赞其"笔墨学董源而豪放过之",将其与苏轼、李公麟、米芾等同列"轩冕才贤、岩穴上士"之序。江参曾受到宋高宗赵构的特意召见,却不幸于觐见前夕意外身故。元、明、清以来,江参的艺术影响经久不息,但有关其身世的文献史料却与时俱减,所以关于他的里籍、生卒年、生平等一直困扰着绘画史学界。笔者通过研究与江参生前有过密切交往的历史人物资料,以宋人程俱《北山小集》中撰述的《江器博墓志铭》为突破口,从"程俱与江参其他友朋之间的关联事略""程俱与江参父亲江器博之间的关联事略""程俱与江参岳父彦楚之间的关联事略"三个历史维度,系统梳理了程俱等一批历史人物与江参的生活联系及艺术渊源,揭示出江器博与江参的父子关系、王彦楚与江参的翁婿关系以及程俱与江参的世交关系,从而确证江参里籍为浙江衢州。
[Abstract]:Jiangshen, a painter who lived at the turn of the Song Dynasty, was an important descendant of Jiangnan Landscape painting School. Deng Chun in the Southern Song Dynasty praised his "Dong Yuan's calligraphy and ink learning", and listed it with Su Shi, Li Gonglin, Mi Fu, etc. Jiangshen was specially summoned by Song Gaozong Zhao, but unfortunately died on the eve of the audience. Since the Yuan, Ming and Qing dynasties, the artistic influence of Jiangshen has been unceasing, but the historical documents about his life have diminished with the times, so about his nationality, birth and death years, the equality of students has been perplexing the field of painting history. Through the study of historical figures who had close contact with Jiangshen before his death, the author took the epitaph "Jiangzi Bo epitaph", which was written by Cheng Cheng of Song Dynasty, as the breakthrough point. From the three historical dimensions of "the connection between Cheng Chi and other friends and friends of Jiangshen" and the relation between Cheng Chi and Jiang Qi Bo, the father of Jiang Shen, "the relation between Cheng Zhi and Yanchu, the father-in-law of Jiangshen," three historical dimensions are given. This paper systematically combs the life relations and artistic origins between Cheng Chi and other historical figures and Jiangshen, and reveals the relationship between Jiang Zhibo and Jiang Shen, Wang Yanchu and Jiang Shen's son-in-law, and Cheng Zhi's social relationship with Jiangshen. It is confirmed that Jiangshen Li is Quzhou, Zhejiang Province.
【作者单位】： 衢州博物馆;
【分类号】：J209.2
本文编号：2124899
[Abstract]:Jiangshen, a painter who lived at the turn of the Song Dynasty, was an important descendant of Jiangnan Landscape painting School. Deng Chun in the Southern Song Dynasty praised his "Dong Yuan's calligraphy and ink learning", and listed it with Su Shi, Li Gonglin, Mi Fu, etc. Jiangshen was specially summoned by Song Gaozong Zhao, but unfortunately died on the eve of the audience. Since the Yuan, Ming and Qing dynasties, the artistic influence of Jiangshen has been unceasing, but the historical documents about his life have diminished with the times, so about his nationality, birth and death years, the equality of students has been perplexing the field of painting history. Through the study of historical figures who had close contact with Jiangshen before his death, the author took the epitaph "Jiangzi Bo epitaph", which was written by Cheng Cheng of Song Dynasty, as the breakthrough point. From the three historical dimensions of "the connection between Cheng Chi and other friends and friends of Jiangshen" and the relation between Cheng Chi and Jiang Qi Bo, the father of Jiang Shen, "the relation between Cheng Zhi and Yanchu, the father-in-law of Jiangshen," three historical dimensions are given. This paper systematically combs the life relations and artistic origins between Cheng Chi and other historical figures and Jiangshen, and reveals the relationship between Jiang Zhibo and Jiang Shen, Wang Yanchu and Jiang Shen's son-in-law, and Cheng Zhi's social relationship with Jiangshen. It is confirmed that Jiangshen Li is Quzhou, Zhejiang Province.
【作者单位】： 衢州博物馆;
【分类号】：J209.2
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