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我对工笔人物画中线描书法性的认识

发布时间:2018-07-16 14:24
【摘要】:中国画和书法都承载着中国悠久的历史文,,在漫长的发展变化中形成了独特的东方神韵。当代工笔人物画中线描艺术为画家提供了丰富多样的创作语言。由于工笔人物画中线描语言的特殊性,精神内涵的民族性,审美多元的价值取向,决定了其线描语言的无限魅力与巨大包容性。本文旨在研究工笔人物画中线描和书法的紧密关系,线描和书法有共同的表现方式和意识语言,书法和绘画本是一家。从工笔人物画中线描和书法的渊源,共同的审美追求和线描书法性在工笔人物画中的运用等几个方面,来阐述书法和绘画的紧密的关系。以“线”造型是中国工笔人物画的技术特点,也是中国画的基础和支柱。因此在工笔人物画中“线”有其特殊的地位。书法与线描的融合很大的影响了工笔人物画的审美品格和形式因素。
[Abstract]:Chinese painting and calligraphy both bear a long history of Chinese history, and have formed a unique oriental charm in the long development and change. The art of line drawing in contemporary brushwork has provided a variety of creative language for the painter. It decides the infinite charm and great inclusiveness of the line drawing language. This article aims to study the close relationship between line drawing and calligraphy in the painting. The line drawing and calligraphy have common expression and consciousness language. Calligraphy and painting are a family. The common aesthetic pursuit and line drawing calligraphy are the source of line drawing and calligraphy. The close relationship between calligraphy and painting is expounded in the use of the painting in the painting of the characters. The "line" is the technical feature of Chinese Meticulous figure painting, and it is also the foundation and pillar of Chinese painting. Therefore, "line" has its special status in the figure painting. The integration of calligraphy and line drawing greatly affects the aesthetic of the painting. Character and form factor.
【学位授予单位】:云南师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J212

【参考文献】

相关期刊论文 前1条

1 李江英;;论中国画的书法性用笔[J];装饰;2006年04期



本文编号:2126670

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