林纾《春觉斋论画》绘画思想研究
发布时间：2018-07-20 19:59
【摘要】：本文以林纾晚年画论著作《春觉斋论画》为研究对象,通过对林纾系列言论的解读与诠释,以及对林纾改良主义与“理学至上”的政治文化思想的追溯与探讨,将林纾在《春觉斋论画》中的主要绘画思想总结为“出宋入元”这一绘画旨归。并以林纾根深蒂固的程朱理学作为论文的思想基点,以理学思维方式对绘画观念和绘画形态的影响为纽带,将“自然之理”、“写意艺术观”、“社会化自然”做为切入点,剖析林纾“出宋入元”的艺术主张。林纾以此艺术主张为论画契机,在西风烈烈、唯新是从的美术革命浪潮中,为传统绘画在中国文化体系内部的“温故知新”提供了理论基础。
[Abstract]:This paper takes Lin Shu's painting theory in his later years as the object of study, through the interpretation and interpretation of Lin Shu's series of comments, as well as the tracing and discussion of Lin Shu's reformism and the political and cultural thought of "the supremacy of Neo-Confucianism". The main painting thought of Lin Shu in Chun Jue Zhai is summarized as the aim of "out of Song Dynasty and Yuan Dynasty". Taking Lin Shu's deep-rooted Neo-Confucianism of Cheng and Zhu as the ideological basis of the thesis, taking the influence of the mode of Neo-Confucianism on painting concept and painting form as the link, taking "natural principle", "freehand brushwork art view" and "socialized nature" as the breakthrough point. Analysis of Lin Shu's artistic proposition of "out of Song Dynasty and Yuan Dynasty". Lin Shu took this artistic proposition as an opportunity to discuss painting. In the wave of art revolution in which the west wind is strong and the only new is following, it provides a theoretical basis for the traditional painting in the internal system of Chinese culture.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
本文编号：2134610
[Abstract]:This paper takes Lin Shu's painting theory in his later years as the object of study, through the interpretation and interpretation of Lin Shu's series of comments, as well as the tracing and discussion of Lin Shu's reformism and the political and cultural thought of "the supremacy of Neo-Confucianism". The main painting thought of Lin Shu in Chun Jue Zhai is summarized as the aim of "out of Song Dynasty and Yuan Dynasty". Taking Lin Shu's deep-rooted Neo-Confucianism of Cheng and Zhu as the ideological basis of the thesis, taking the influence of the mode of Neo-Confucianism on painting concept and painting form as the link, taking "natural principle", "freehand brushwork art view" and "socialized nature" as the breakthrough point. Analysis of Lin Shu's artistic proposition of "out of Song Dynasty and Yuan Dynasty". Lin Shu took this artistic proposition as an opportunity to discuss painting. In the wave of art revolution in which the west wind is strong and the only new is following, it provides a theoretical basis for the traditional painting in the internal system of Chinese culture.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
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