关于中国水彩画创作实践的当代性思考

发布时间：2018-07-21 15:42

【摘要】：中国水彩画的发展经历了将近百年的艺术实践，在这个过程当中，一方面继承着中国传统绘画艺术的精髓；与此同时也受到西方各种前卫艺术思潮的影响。从近年来水彩画发展的状态来看，艺术的当代性无疑为中国水彩画的发展注入了新的活力和增加了新的课题。就其水彩艺术当代性的思考，无论从研究时间还是从深度上讲，都还远远不够。因此本文将以此为研究视角，试图从中国水彩画的具体创作实践来阐释水彩画当代性的问题。有关水彩画创作实践的当代性问题，在学术界曾一度引起广泛的讨论和关注。在全球经济一体化的趋势下、中西文化交流的进一步频繁、伴随着西方现代和后现代艺术思潮的涌入、中国水彩画家在创作实践的过程中，如何把外来的艺术创作观念和本民族的文化传统有效地结合起来，体现具有中国特色的当代艺术文化的情境，不断地拓展与创新，在水彩画作品中体现当代的人文精神，创作出具有当代性的作品，是我们当代人值得思考的问题。有学者把当代性释为：“当代性是指当代人精神的提升与探索，艺术作品的当代性应体现民族精神和审美心理需求。”这种民族精神和审美需求是体现艺术作品当代性的一个方面。也有的学者秉持的学术观点与上述的看法相类似：“当代性是不同地域的艺术创作者在特定的语境中所创造出来的作品的诸方面的特征。”但是从艺术哲学角度来讲，我认为水彩画的当代性可以说是在当代的语境下，其作品应体现人文精神，艺术实践者应转变绘画观念、注重现实感和时代性、表现地域性文化，体现当代人们的审美心理需求。通过近几年的全国美展尤其第十一届全国美展可以看出水彩画创作整体水平不断上升，在一定程度上一些水彩画作品本身呈现出其当代性，但真正能体现具有当代性的水彩画作品不占多数。在艺术多元化的今天，我们如何把握水彩画的发展方向，于我而言，重要的是水彩画的创作应与时俱进、开拓创新、关注当代社会、体现当代人的精神与审美意识、创作出具有中国民族特色的水彩画作品，这也是我们当今水彩画创作者应该高度关注与探索的。
[Abstract]:The development of Chinese watercolor painting has experienced nearly a hundred years of artistic practice. In this process, on the one hand, it inherits the essence of Chinese traditional painting art; at the same time, it is also influenced by various western avant-garde art trends. From the point of view of the development of watercolor painting in recent years, the contemporary nature of art has undoubtedly injected new vitality and added new subject into the development of Chinese watercolor painting. In terms of the contemporary nature of watercolor art, it is far from enough in terms of research time and depth. Therefore, this article will take this as the research angle, attempts from the Chinese watercolor painting concrete creation practice to explain the watercolor painting contemporary question. The contemporary problem of watercolor painting creation has once aroused extensive discussion and attention in academic circles. With the trend of global economic integration and the further frequent cultural exchanges between China and the West, with the influx of western modern and post-modern artistic trends, Chinese watercolor painters are in the process of creating practice. How to combine the foreign artistic creation concept effectively with the cultural tradition of this nation, to embody the situation of contemporary art culture with Chinese characteristics, to expand and innovate continuously, to embody the contemporary humanistic spirit in watercolor painting works, The creation of contemporary works is an issue worthy of our consideration. Some scholars have interpreted the contemporary nature as: "modernity refers to the promotion and exploration of contemporary spirit, and the contemporary nature of art works should reflect the national spirit and aesthetic psychological needs." This kind of national spirit and aesthetic demand is an aspect of embodying the contemporary nature of art works. Some scholars hold an academic view similar to the above: "modernity is the characteristics of the works created by artistic creators in different regions in a specific context." But from the point of view of art philosophy, I think that the contemporary nature of watercolor painting can be said to be in the contemporary context, its works should reflect the humanistic spirit, art practitioners should change the concept of painting, pay attention to the reality and the times, and express regional culture. Reflect the aesthetic psychological needs of contemporary people. Through the National Art Exhibition in recent years, especially the 11th National Art Exhibition, we can see that the overall level of watercolor painting creation is constantly rising, and to a certain extent some watercolor works themselves show their contemporary nature. But the watercolor works which can truly reflect the contemporary nature do not account for the majority. In today's diversified art, how do we grasp the development direction of watercolor painting? to me, the important thing is that the creation of watercolor painting should keep pace with the times, develop and innovate, pay attention to the contemporary society, and reflect the spirit and aesthetic consciousness of contemporary people. The creation of watercolor works with Chinese national characteristics should be highly concerned and explored by our present watercolor creators.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215

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