提香油画中的诗意性研究
发布时间：2018-07-28 20:12
【摘要】：文艺复兴时期,现实主义艺术大师提香(Titian,1489-1576)的艺术成就成为威尼斯画派不可超越的一面旗帜。目前，国内对于专门写提香的理论著作不多，基本上都为零散介绍。系统的研究提香油画中的诗意性，这样的文章在国内尚少。在截稿之前,笔者几乎还没有看到。提香的画简约大方,自然主义的诗意之美在画中洋溢。通过绘画也可以看出他自身的修养及典雅的性情；提香以自身的独特视角观察着世界，他的画作具有生活化的情调,不仅表现着世人的平凡生活，更能呈现出画作所具有的诗意情怀，意境深远。 文章围绕的主题为提香油画中的诗意性，以诗意性为研究目标，系统的介绍了提香油画中所蕴含的诗意情怀。文艺复兴时期，大量的诗人学者不断涌现，像但丁、薄伽丘、彼特拉克等是文艺复兴时期不可忽视的人物。在他们的文学作品中可体会出对传统束缚的解脱。意大利的雅各伯·桑那扎罗(Jacopo Sannazaro,1458-1530)，他在15世纪末创作了《阿卡迪亚》，这是一部赞美田园生活的长篇诗歌。雅各伯·桑那扎罗描绘了远离尘世的单纯、简朴的田园世界。各种思想的涌现及其他有利因素成为提香诗意灵感的源泉。诗意性的表现方式主要是通过绘画语言中具有的诗意性展现出来。绘画语言是提香自身情感流露的体现，是一种情感载体，绘画语言服务于提香绘画的意境感受。例如经典的侧卧式构图，，亦可看出提香绘画中的诗意性之美。同时也讲述了诗意性比较突出的一种形式“阿卡迪亚式”(Arcadia)，这是以一种世外桃源的意境来表现其悠远宁静的诗意性。在国内，这一叫法不是很常见。通过提香与乔尔乔内的比较，来强调提香特有的阿卡迪亚式。提香的绘画超越了有形的物质世界，自然与情感的融合，使其艺术作品具有了非凡的艺术感染力。提香或许已把绘画当成了一种信仰。他对自身绘画艺术最高境界的不断追求成为我们学习的榜样。文章对于诗意性的系统阐述，让人们能进一步的走进提香，感受其绘画中的诗意及百年留下的古老的油画余香，感悟他的绘画对于后世绘画艺术的巨大价值。
[Abstract]:During the Renaissance, the artistic achievement of Titian Lu (1489-1576) became an insuperable banner for Venetian painters. At present, the domestic dedicated to the writing of Titian theory is not many, basically scattered introduction. Systematic study of the poetic nature of Titian oil painting, such articles in China is still few. Before the deadline, the author had hardly seen it. Titian's paintings are simple and generous, and naturalistic poetic beauty permeates the painting. Through painting, he can also see his own cultivation and elegant temperament. Titian observes the world from his own unique perspective. His paintings have a life style and not only represent the ordinary life of the world, More can show the painting has poetic feelings, profound artistic conception. The thesis focuses on the poetic nature of Titian oil painting, and systematically introduces the poetic feelings contained in the Titian oil painting. During the Renaissance, a large number of poets and scholars, such as Dante, Peggy, Petrarch, and so on, can not be ignored during the Renaissance. In their literary works one can feel the liberation from the bondage of tradition. Jacopo Sannazaro, Italy (1458-1530), wrote Acadia in the late 15th century, a long poem about pastoral life. Jacob Zanzarro depicts a simple, pastoral world far from earth. The emergence of various ideas and other favorable factors became the source of inspiration for Titian poetry. The poetic expression is mainly through the poetic expression in the painting language. Painting language is the embodiment of Titian's own emotion and a kind of emotional carrier. Painting language serves the artistic conception feeling of Titian painting. For example, classical lateral-lying composition can also see the beauty of poetry in Titian painting. At the same time, it also tells a form of "Arcadian" (Arcadia), which is a poetic form of "Arcadian style", which expresses its distant and quiet poetic quality with a kind of exotic artistic conception. At home, this name is not very common. Through the comparison between Titian and Joel Giorne, the special Arcadian style of Titian is emphasized. Titian's paintings transcend the tangible material world, and the fusion of nature and emotion makes his works of art have extraordinary artistic appeal. Titian may have taken painting as a belief. His constant pursuit of the highest level of his painting art has become a model for us to learn. The article expounds the poetic system, so that people can further enter Titian, feel the poetry in his painting and the ancient oil painting afterfragrance, and realize the great value of his painting to the painting art of later generations.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2151446
[Abstract]:During the Renaissance, the artistic achievement of Titian Lu (1489-1576) became an insuperable banner for Venetian painters. At present, the domestic dedicated to the writing of Titian theory is not many, basically scattered introduction. Systematic study of the poetic nature of Titian oil painting, such articles in China is still few. Before the deadline, the author had hardly seen it. Titian's paintings are simple and generous, and naturalistic poetic beauty permeates the painting. Through painting, he can also see his own cultivation and elegant temperament. Titian observes the world from his own unique perspective. His paintings have a life style and not only represent the ordinary life of the world, More can show the painting has poetic feelings, profound artistic conception. The thesis focuses on the poetic nature of Titian oil painting, and systematically introduces the poetic feelings contained in the Titian oil painting. During the Renaissance, a large number of poets and scholars, such as Dante, Peggy, Petrarch, and so on, can not be ignored during the Renaissance. In their literary works one can feel the liberation from the bondage of tradition. Jacopo Sannazaro, Italy (1458-1530), wrote Acadia in the late 15th century, a long poem about pastoral life. Jacob Zanzarro depicts a simple, pastoral world far from earth. The emergence of various ideas and other favorable factors became the source of inspiration for Titian poetry. The poetic expression is mainly through the poetic expression in the painting language. Painting language is the embodiment of Titian's own emotion and a kind of emotional carrier. Painting language serves the artistic conception feeling of Titian painting. For example, classical lateral-lying composition can also see the beauty of poetry in Titian painting. At the same time, it also tells a form of "Arcadian" (Arcadia), which is a poetic form of "Arcadian style", which expresses its distant and quiet poetic quality with a kind of exotic artistic conception. At home, this name is not very common. Through the comparison between Titian and Joel Giorne, the special Arcadian style of Titian is emphasized. Titian's paintings transcend the tangible material world, and the fusion of nature and emotion makes his works of art have extraordinary artistic appeal. Titian may have taken painting as a belief. His constant pursuit of the highest level of his painting art has become a model for us to learn. The article expounds the poetic system, so that people can further enter Titian, feel the poetry in his painting and the ancient oil painting afterfragrance, and realize the great value of his painting to the painting art of later generations.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
【参考文献】
相关期刊论文 前9条
1 常霞;试析提香艺术的历史地位[J];成都教育学院学报;2004年09期
2 孟尧;;论文艺复兴时期威尼斯的诗意画[J];淮北煤炭师范学院学报(哲学社会科学版);2010年02期
3 薛X;;写实油画的色彩造型语言研究——阴影中的色彩表现探究[J];美术之友;2007年03期
4 乐齐弘;提香绘画技法探析[J];黔东南民族师范高等专科学校学报;2004年01期
5 杨思陶;;种族理论与文艺复兴观念[J];新美术;2007年02期
6 周玉明;;文艺复兴时期的佛罗伦萨与威尼斯艺术[J];咸宁学院学报;2009年01期
7 刘有全;东方绘画和西方绘画再比较[J];咸阳师范学院学报;2004年02期
8 封加j;;乔尔乔内卧女图式的创意生成与历史演绎[J];艺术百家;2005年06期
9 张静;;意大利文艺复兴时期透视法的发展历程[J];艺术探索;2007年04期
相关硕士学位论文 前3条
1 李军;浅谈笔触在油画作品中的作用[D];内蒙古师范大学;2006年
2 吕林;意大利文艺复兴与尼德兰文艺复兴绘画艺术的对比研究[D];曲阜师范大学;2010年
3 孟尧;论提香晚期绘画的风格转变[D];南京艺术学院;2010年
本文编号：2151446
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2151446.html
