论油画艺术的画面结构

发布时间：2018-07-28 20:50

【摘要】：油画艺术从14世纪起发展至今,可谓绚丽多彩,百花争艳。油画作为最重要的画种(载体)之一,以一种视觉的方式呈现在大家面前,在世世代代的艺术家手底下不断发展和推陈出新,放射出夺人心目的光彩。不同的语境下定义不同的艺术手法都能得到不同的结果,油画可以是写实的,具象的、记述的、历史的。也可以是唯美的、精神的、形而上的。无论基于何种目的的创作写生他终究也都会给出一种“平面”的答案,而最根本的是整个图画要素依存于画面结构的支撑关系:包括但不限于线条结构、色彩结构、叙事结构、心理结构等等。本篇文章着手于油画的画面构成要素来分析对比其中的构图,光线,空间,节奏,结构,色彩。得出画面是可以被我们以二维的法则或者剪影的形式来归纳总结,感知和理解的。艺术家在画布上通过对物件要素的主观能动的安排来表达情绪宣泄情感,传达美的信息,创造美的感受。实际创作中,艺术家通过放置对象来表达各自的审美诉求,他们所“放置”的对象大多来自着真实或者现实,那本应该看山是山看水是水,是一种哲学上的对立和统一,但是任何物件的成组关系都包含着复杂的时间空间关系,当事物在某一个时间点的表象被提取出来时,很难能像一段写出的文字一样“公正”“客观”。进而每一幅画面所呈现的效果和审美取向都因人而异。画面结构就成为了约束指引艺术家在组织画面和安排构图时的关键因素。
[Abstract]:Oil painting art from the 14 th century since the development, it can be described as colorful, colorful. As one of the most important kinds of paintings (carriers), oil painting is presented in a visual way. Different contexts define different artistic techniques can get different results, oil painting can be realistic, concrete, descriptive, historical. It can also be beautiful, spiritual, metaphysical. No matter what the purpose of creative sketching, he will give a "plane" answer, and the most fundamental is that the whole picture elements are dependent on the supporting relationship of the picture structure: including, but not limited to, line structure, color structure, narrative structure, Psychological structure, etc. This article begins to analyze and contrast the composition, light, space, rhythm, structure, and color of the oil painting. The picture can be summarized, perceived and understood by us in the form of two-dimensional laws or silhouettes. On the canvas, the artist expresses emotion, conveys the information of beauty and creates the feeling of beauty through the subjective dynamic arrangement of object elements. In actual creation, artists express their respective aesthetic demands by placing objects. Most of the objects they "place" come from reality or reality. That should have seen mountains, water and water, and it is a philosophical opposition and unity. However, the group relationship of any object contains complex temporal and spatial relationships. When the representation of things at a certain point in time is extracted, it is difficult to be "fair" and "objective" as a written text. Furthermore, the effect and aesthetic orientation of each picture vary from person to person. Picture structure has become the key factor to guide the artist in organizing the picture and arranging the composition.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213

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