论中国山水画构图形式之美

发布时间：2018-07-29 10:33

【摘要】：本文通过学习研究传统中国山水画，在基于对历代绘画理论的回顾再认识，以及对指导中国山水画美学思想的思考之上，从历史、文化、思想、地域等方面阐明并论述中国山水画所特有的构图形式美。从整体综合研究到部分比较分析来进行现象还原，并从中提炼出山水画章法构图的规律及特征。通过对传统的回顾和研究，使我们更加深入的认识到传统山水画思想的博大精深与丰富灿烂。中国山水画萌芽于东晋并发展至今，在经历了漫长的发展、演变、与再发展的过程后，其理论体系和图式规律都已形成并发展至成熟，且同时具有着中国传统文化内涵。中国山水画构图形式以“立意定景，开和造势”为基础认识和操作原则，在经过历代的思想理论的发展与创作实践的运用，已成为我们绘画艺术中的重要组成部分，并有着其独特的形式之美。优秀的艺术作品离不开布置合理的构图形式，它在绘画作品中占据重要的地位，甚至直接影响着作品的成败。本文主要分为四章来对中国山水画的形式美进行分析与阐述。第一章主要对山水画构图形式在历代的发展演变过程进行梳理。第二章对构图形式在理论和实践中的表现进行具体的分析，并阐述山水画构图形式的基本规律。第三章，从时代背景，个体学识修养，地域差异及传统哲学思想方面探究影响不同构图形式生成的因素。第四章思考关于山水画图式创新的问题，并要求在创作过程中应该立足传统、借鉴融合外来绘画元素并取法自然以丰富中国山水画的构图形式之美。中国的思想文化传统一定是民族绘画的发展和立足之基础，如果我们不能清晰的认识到这一点，，那么在未来艺术创作的方向上，包括与西方文化及世界文化的借鉴融上，必定会导致迷失方向，失去自己。无论是谢赫的“经营位置"或是现在的“构成关系”，探讨的都是关于绘画中的构图以及画面构成的问题。中国山水画的构图形式不单纯是创作的方法论问题，它更包含着丰富的中国传统文化内涵及哲学美学思想。
[Abstract]:By studying and studying the traditional Chinese landscape painting, this paper, based on the review of the painting theory of the past dynasties, and the thinking of guiding the aesthetic thought of the Chinese landscape painting, from the history, culture, thought, Region and other aspects to clarify and discuss the unique composition of Chinese landscape painting beauty. From the overall comprehensive study to part of comparative analysis to restore the phenomenon, and extract from the landscape painting composition of the law and characteristics. Through the review and study of the tradition, we have a deeper understanding of the broadness and richness of the traditional landscape painting thought. Chinese landscape painting sprouts in the Eastern Jin Dynasty and has developed up to now. After a long process of development, its theoretical system and schema law have been formed and developed to maturity, and at the same time have the connotation of Chinese traditional culture. The form of Chinese landscape painting composition is based on the understanding and operation principle of "the idea of setting the scene, opening up and creating momentum". It has become an important part of our painting art after the development of thought and theory and the application of creative practice in the past dynasties. And has its unique form of beauty. Excellent works of art can not be separated from the reasonable layout of the form of composition, it occupies an important position in the painting, and even directly affects the success or failure of the work. This paper is divided into four chapters to analyze and expound the formal beauty of Chinese landscape painting. The first chapter mainly combs the evolution of landscape painting composition in the past dynasties. The second chapter analyzes the performance of composition form in theory and practice, and expounds the basic law of composition form of landscape painting. The third chapter explores the factors that influence the formation of different composition forms from the background of the times, individual learning, regional differences and traditional philosophy. The fourth chapter thinks about the innovation of landscape painting schemata, and requests that in the process of creation, we should base ourselves on tradition, draw lessons from foreign painting elements and take the method of nature to enrich the beauty of Chinese landscape painting composition form. China's ideological and cultural tradition must be the basis for the development and foothold of national painting. If we cannot clearly realize this point, then in the direction of future artistic creation, including learning from western culture and world culture, Will lead to lost direction, lose their own. Whether it is Sheikh's "business location" or the present "composition relationship", it is all about the composition and composition of painting. The composition form of Chinese landscape painting is not only a methodological problem of creation, but also a rich connotation of Chinese traditional culture and philosophical and aesthetic thoughts.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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