现代乡村生活题材水墨人物画创作浅谈
发布时间：2018-07-29 11:00
【摘要】：水墨人物画——中国绘画的一种主流形式，在绘画领域中有着重要的地位。好的水墨画是有灵魂的，其中一个重要的因素是画家要把内心深处的情感以自己独特的语言形式表现出来。随着社会的不断发展变化，越来越多的人走向城市，追逐快节奏，相反，宁静的、原生态的事物开始成为众人向往的对象，更多的艺术家开始返璞归真，从原始自然的环境中寻求创作灵感，表达更深层次的文化品质和人文情怀。 情感是绘画作品感染力的源泉，从生活到艺术——情感是我们进行绘画创作的直接动力。艺术的魅力在于创作者精神世界的写照，情感在艺术创作中发挥了重要的作用，而乡村题材的创作从原始的生活状态得到灵感，不断关注和体验乡村生活，表现出不一样的生活文化。本文通过对乡村题材水墨人物画特征的发展轨迹的研究分析，从对笔墨语言与画面形式语言特点切入，寻求水墨人物画创作的规律。同时，主题的把握，同时挖掘其内在的精神力量，对于水墨人物画超越题材从而提升作品有重要的意义。 文章分为了三个部分，在第一部分中论述艺术、生活与水墨的关系，具体分为两个部分，即艺术与生活关系的再认识和水墨形式语言对生活的创作性表达，在新的时代中，艺术与生活的关系从新的角度可以得到不一样的认识，将这种新认识融会贯通到水墨画创作中使我们当下要做的事情。第二部分主要论述现代乡村题材水墨人物画的发展轨迹，，情感和形式在人物画发展和创作中的碰撞，认识到这两个要素在表现人物时相辅相成且对当代的水墨人物画产生重要的影响,具体分三个时期进行分析，民国时期、“文革”前后以及新时期。第三部分是实践中对乡村题材水墨人物画的自我认识，进一步阐释在当前环境下，作为实践者我们应该如何更好地去把握人物画创作。首先是自己对选择创作题材的认识，从现实的生活体验为基点，表达真实情感，表现方式中把握好形象的审美趣味和笔墨的结构转换，寻找自己的形式语言符号。
[Abstract]:Ink figure painting-a mainstream form of Chinese painting, plays an important role in the field of painting. A good ink painting has a soul, one of the important factors is that the painter should express the deep feelings in his own language. With the constant development and change of society, more and more people go to the city, chasing fast rhythm. On the contrary, the peaceful and original things begin to become the objects that everyone yearns for, and more artists begin to return to nature. Seek creative inspiration from the original natural environment, express deeper cultural quality and humanistic feelings. Emotion is the source of painting appeal, from life to art-emotion is the direct driving force of painting creation. The charm of art lies in the portrayal of the creator's spiritual world, and emotion plays an important role in artistic creation. Show a different culture of life. Through the research and analysis of the development track of the characteristics of the country subject water and ink figure painting, from the perspective of the features of the language of brush and ink and the language of the picture form, this paper seeks for the law of the creation of the figure painting of the wash and ink. At the same time, the grasp of the theme and the excavation of its inner spiritual power are of great significance for the ink figure painting to transcend the subject matter and thus promote the works. The article is divided into three parts. In the first part, it discusses the relationship between art, life and ink, and it is divided into two parts, that is, the re-understanding of the relationship between art and life and the creative expression of life by the formal language of ink and wash. In the new era, The relationship between art and life can get a different understanding from a new perspective. The second part mainly discusses the development track of modern country subject ink figure painting, the collision of emotion and form in the development and creation of figure painting. Recognizing that these two elements complement each other in the performance of characters and have an important impact on the contemporary ink figure painting, it is divided into three periods: the period of the Republic of China, the period before and after the "Cultural Revolution" and the new period. The third part is the practice of the village subject ink figure painting self-understanding, further explain in the current environment, as practitioners, we should better grasp the figure painting creation. First of all, I choose the theme of creative understanding, from the reality of life experience as the basis, to express real feelings, in the way of expression to grasp the aesthetic taste of the image and the structural transformation of pen and ink, looking for their own formal language symbols.
【学位授予单位】：中南民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2152471
[Abstract]:Ink figure painting-a mainstream form of Chinese painting, plays an important role in the field of painting. A good ink painting has a soul, one of the important factors is that the painter should express the deep feelings in his own language. With the constant development and change of society, more and more people go to the city, chasing fast rhythm. On the contrary, the peaceful and original things begin to become the objects that everyone yearns for, and more artists begin to return to nature. Seek creative inspiration from the original natural environment, express deeper cultural quality and humanistic feelings. Emotion is the source of painting appeal, from life to art-emotion is the direct driving force of painting creation. The charm of art lies in the portrayal of the creator's spiritual world, and emotion plays an important role in artistic creation. Show a different culture of life. Through the research and analysis of the development track of the characteristics of the country subject water and ink figure painting, from the perspective of the features of the language of brush and ink and the language of the picture form, this paper seeks for the law of the creation of the figure painting of the wash and ink. At the same time, the grasp of the theme and the excavation of its inner spiritual power are of great significance for the ink figure painting to transcend the subject matter and thus promote the works. The article is divided into three parts. In the first part, it discusses the relationship between art, life and ink, and it is divided into two parts, that is, the re-understanding of the relationship between art and life and the creative expression of life by the formal language of ink and wash. In the new era, The relationship between art and life can get a different understanding from a new perspective. The second part mainly discusses the development track of modern country subject ink figure painting, the collision of emotion and form in the development and creation of figure painting. Recognizing that these two elements complement each other in the performance of characters and have an important impact on the contemporary ink figure painting, it is divided into three periods: the period of the Republic of China, the period before and after the "Cultural Revolution" and the new period. The third part is the practice of the village subject ink figure painting self-understanding, further explain in the current environment, as practitioners, we should better grasp the figure painting creation. First of all, I choose the theme of creative understanding, from the reality of life experience as the basis, to express real feelings, in the way of expression to grasp the aesthetic taste of the image and the structural transformation of pen and ink, looking for their own formal language symbols.
【学位授予单位】：中南民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
【参考文献】
相关期刊论文 前1条
1 吴冠中;绘画的形式美[J];美术;1979年05期
本文编号：2152471
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